Feb 21 Saturday
Get your deerstalker cap on—the play’s afoot! From multi-award-winning playwright Ken Ludwig (Sherwood: The Adventures of Robin Hood) comes a fast-paced adventure about everyone’s favorite detective solving his most notorious case. The male heirs of the Baskerville line are being dispatched one by one. To find their killer, Sherlock Holmes and Dr. Watson must crack the mystery of “The Hound of the Baskervilles” before a family curse dooms its newest heir. Watch as our intrepid investigators try to escape a dizzying web of clues, silly accents, disguises and deceit as five actors deftly portray more than 40 characters. Does a wild hellhound prowl the moors of Devonshire? Can our heroes discover the truth in time? Join the fun and see how far from elementary the truth can be.
Once upon a vine, John Jarboe’s aunt revealed that John not only had a twin sister in the womb, but that John consumed her: “You ate her. That’s why you are the way you are.” This was a lot for John to swallow! In this musical shrine to the consumed twin, named Rose, John welcomes you into a feast of gender through song, storytelling, and a full plate of wordplay.
Created in partnership with the Bearded Ladies Cabaret. Featuring all original music written in collaboration with Emily Bate, John Jarboe, and Pax Ressler.
Feb 22 Sunday
Supported by KNKX. Get ready for a funky good time when Martha High’s Funky Divas, backed by the Fred Wesley and The New JBs, performed a power-packed show of hots and standards from those played and sang with the Godfather of Soul, James Brown.
Martha Harvin began singing in The Four Jewels, whose members attended the same church and school and went on tour with James Brown in 1964. They did record two singles while they toured with Brown, but after a year and a half with Brown the group split up. Not ready to leave the tour, Harvin asked Brown if she could stay. Brown agreed, but he required her name change from Harvin to the stage name High.
She continued singing with Brown for the next 30-plus years, including her unmistakable high soprano falsetto wail on “The Big Payback.” She appeared with Brown on the track “Summertime” and on the Original Funky Divas album.
Joining Martha in the Divas will be Kelly Jarrell, who sang in Brown’s background group The Bittersweets from 1994 until his death in 2006, and Darlene Parker, who along with Martha were backing vocalists in the touring band of Maceo Parker, Brown’s iconic and beloved sax player.
Legendary bandleader, trombonist and author Fred Wesley is one of the forefathers of funk, still setting the standard with his jazz-funk band The New JBs. Together at its core for more than 30 years, the band is a living celebration of roots funk and more, performing such hits as “Pass the Peas” made with James Brown and the JBs including Maceo Parker, as well as selections from the P-Funk years and Fred’s own and others’ soulful jazz, funk and blues compositions.
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
Stories are shaped by the ways we tell them. In Shaping the Story: Designs for the Theatre by Carey Wong, go behind the scenes to see how theatre sets bring stories to life. During a career spanning over 50 years, Carey Wong has designed sets and costumes for more than 300 productions, including operas, plays, musicals, and ballets.
This exhibition features scale models of his designs in addition to costumes, set pieces, and stories of Washington’s rich entertainment history. From sketches of an idea to fully realized sets, explore how a designer’s decisions craft the world of a story.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
🎷 Jazz Jam at Butter Notes Café 🎷📍 Butter Notes Café – Everett, WA🗓️ Every 1st & 3rd Sunday @ 2 PM
☕ Come sip, snack, and swing!
Join us for an afternoon of live jazz and spontaneous creativity at Butter Notes Café! Whether you’re here to play or just enjoy the vibes, you’re welcome.
🧇 Fresh croffles and warm coffee served all afternoon🎶 Open to all instruments, all levels💛 Donations encouraged to support local musicians and future sessions
Bring your instrument, your friends, or just your love for music!
In less than 100 years, plastic has gone from a novel invention to a ubiquitous feature across the globe. Plastic is now found in everything from household objects to industrial mechanisms to inside human bodies themselves. Once a marvel of modern science, plastic has become so inextricably woven into our lives that imagining a world without it can seem impossible.
Backed by years of research and reflections taking place in real time with changing technology and environmental awareness, The Problem with Plastic critically examines the paradox of this material and how swiftly its integration has affected public health and the planet as a whole. The book explores how, despite being first celebrated for its innovations, plastic is now broadly recognized as a leading contributor to environmental pollution at every level, the climate crisis, and building waste levels that disproportionately impact marginalized communities that bear the brunt of petrochemical pollution.
Author and environmental policy expert Judith Enck, in collaboration with co-author Adam Mahoney and the Beyond Plastics project, strives to draw attention to the alarming extent that microplastics have infiltrated society and the ways consumers can challenge what they think about the roles they can play. Unpacking illusions about recycling, mechanisms of environmental racism, and deceptive greenwashing strategies, the authors emphasize the urgency of calling for real, actionable measures to push against the effects of the plastics industry. The Problem with Plastic highlights powerful stories of frontline resistance in places like Louisiana, Texas, and Appalachia, and seeks to equip readers with practical tools– including a “Household Waste Audit” to track and reduce plastic consumption and model policy guides for driving legislative change. Fortified with calls for individual responsibility, citizen action, and governmental regulations, The Problem with Plastic aims to show that while plastic is a formidable problem, coordinated efforts can lead to solutions.