Apr 17 Friday
CO-PRESENTS: TRICK is a split-bill evening of performance by Carlin Kramer & PITH (Alissa Pegram and Caroline Maxwell).
CO-PRESENTS features artists you’ve seen previously in CO- programming, giving our growing CO- family the opportunity to expand upon or deepen work they may have started while in our orbit. We’re proud to announce that the third iteration of CO-PRESENTS features Carlin Kramer of SHOW2 and PITH (Caroline Maxwell + Alissa Pegram) of SHOW10.
Through CO-PRESENTS, two Seattle-based artists are granted a 40-hour residency with competitive hourly rehearsal wages and two fully produced, split-bill performances. This has been a step up in CO-‘s programming that further fosters growth for independent Seattle-based dance artists. CO-PRESENTS is our answer to a community need for opportunities to present longer-form, more fully supported work.
In a world where love transcends death itself...when the legendary musician Orfeo loses beloved Euridice to a fatal serpent's bite, grief threatens to shatter the heavens. but the gods have heard those anguished songs—and they offer the impossible. One chance. One journey into the underworld. One rule Orfeo must not break. Armed only with a lyre and guided by amor, the god of love, Orfeo descends through the gates of hades to reclaim a bride from death's cold embrace. the journey faces the furies of hell itself, their fury melting before heartbreaking melodies. the music moves the lord of the underworld with the power of pure devotion. And Orfeo is given what no mortal has ever received: permission to bring back the dead.
But there is a condition—a test of faith that will push him to the edge of madness: Orfeo must lead Euridice back to the living world without looking at that beloved face. Not once. not even to see if she still follows. Can love survive without sight? Can faith triumph over doubt? Can one voice change the laws of death itself?
Christoph Willibald Gluck's timeless masterpiece where myth becomes music. where sorrow becomes transcendence. where one voice dares to challenge eternity. experience the opera that revolutionized the art form. The ultimate story of love, loss, and the power of music to move the gods.
Rick Estrin was born in San Francisco, California in 1949, and grew up fiercely independent. As a 10-year-old boy, he made his way to the tough Market Street area and befriended many of the neighborhood characters. When he was 12, his older sister gave him a copy of Ray Charles’ The Genius Sings The Blues, and he became infatuated with the music. Albums from Jimmy Reed, Champion Jack Dupree, Mose Allison, Nina Simone and others soon followed. By the time he was a teenager, Estrin had immersed himself in the urban, African-American culture surrounding him. He got his first harmonica at age 15, and by age 18 was proficient enough to begin sitting in at black clubs around the city. He first jammed with blues master Lowell Fulson and immediately was hired to open five shows for R&B giant Z.Z. Hill. He worked five nights a week for almost a year with guitar legend Travis Phillips in a band fronted by famed pimp/bluesman Fillmore Slim (who was the centerpiece of the acclaimed Hughes Brothers documentary American Pimp). Slim introduced Estrin to singer Rodger Collins, the man who would become Rick’s first real musical mentor. Collins schooled Rick on the finer points of songwriting and show business. At 19, Estrin relocated to Chicago and worked with some of the city’s best bluesmen. He met and jammed with the legendary Muddy Waters, who told Rick, “You outta sight, boy! You got that sound! You play like a man!” Muddy wanted Estrin to go on the road with him, but Estrin missed Muddy’s phone call and it never happened. Estrin eventually moved back to the Bay Area, met guitarist Charlie Baty and formed Little Charlie & The Nightcats. With Charlie’s retirement from touring in 2008, Rick brought in guitar virtuoso Kid Andersen and formed Rick Estrin & The Nightcats.
Estrin cites Sonny Boy Williamson II, Percy Mayfield and Detroit bluesman Baby Boy Warren as his major songwriting influences. His work on the reeds is deep in the tradition of harmonica masters Sonny Boy Williamson II and Little Walter Jacobs, while at the same time pushing that tradition forward with his innovative songs. And his sly and soulful vocals are the perfect vehicle for driving those songs home.
With special guest Jack Schneider. Hailed as “one of the best acoustic guitarists in the world” by NPR’s World Cafe, Tommy Emmanuel got his start at the age of six, when he first began touring his native Australia with his family’s band. As a teenager, he earned a reputation as a highly sought after sideman and session player, and by his early twenties, Emmanuel was playing on chart-topping hits and performing with acts like Air Supply and Men at Work. Inspired in part by his hero, Chet Atkins (who would later become a friend, mentor, and collaborator), Emmanuel stepped out on his own as a solo artist in 1979, releasing the first in a string of acclaimed instrumental albums that would make him an unlikely celebrity in his home country and beyond. In the decades that followed, he would go on to headline everywhere from the Sydney Opera House to Carnegie Hall; tour with luminaries like Eric Clapton and John Denver; win a Grammy Award for Best Instrumental Arrangement; perform for a televised audience of more than two billion at the Sydney Olympics; and collaborate with a who’s who of fellow guitar greats, including Les Paul, Mark Knopfler, Joe Walsh, Richard Thompson, Jason Isbell, and Billy Strings.
Recorded in just four days, Emmanuel’s latest album, Living In The Light, stands as the most daring—and most rewarding—collection in the globetrotting fingerpicker’s remarkable catalog, fusing his pop, jazz, classical, and roots influences into a virtuosic masterwork as exhilarating as it is intimate.
Sister Kate Dance Company presents...
SHE’S GOT RHYTHMA Dreamy Jazzland Revue-------------------------------Every dancer dreams of the perfect routine — but can Dottie discover hers?Exhausted after a long day of dance practice, she dozes off at midnight... and wakes up in Jazzland: a surreal world pulsing with rhythm and soul. Guided by whimsical melodies, mesmerizing choreographies, and the heartbeat of blues and jazz, Dottie embarks on her journey. Will she find the dance she’s been chasing all along?
Step through the looking glass and lose yourself in a jazz-fueled dream where rhythm leads the way.-------------------------------A cabaret delight for the eyes and ears; featuring an 11-piece live jazz ensemble directed by bandleader, Christian Pincock, and accompanied by the award-winning Seattle Chanteuse, Jacqueline Tabor.
SHOW TIMESDoors | 6:30pmHouse | 7pmShow | 7:30pm
Runtime: Around 1 hour 30 minutes (with intermission) for concert & cabaret show
VENUE | Broadway Performance Hall - Seattle, WAPARKING | The Harvard Garage is located directly behind the theater at 1609 Harvard Ave.
Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.
His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.
Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
Ohhh those summer nights! From its earliest performance in a Chicago nightclub through its record-breaking Broadway run and hit feature film, Grease has remained one of the world’s most popular musicals. Featuring the many hit songs that became the soundtrack of a generation, like “Greased Lightnin’,” “Alone at the Drive-in Movie,” and “It’s Raining on Prom Night,” this 1950s pop culture satire is filled to the brim with grit, glam, and youthful exuberance.
In roles made famous by John Travolta and Olivia Newton-John, head “greaser” Danny Zuko and new girl Sandy Dumbrowski try to relive their sizzling summer fling as the Burger Palace Boys and Pink Ladies of Rydell High’s senior class navigate the peer pressures and social politics of high school in the 1950s. Directed and choreographed by Lisa Shriver (Beautiful: The Carole King Musical), this production of Grease promises nonstop, nostalgic, hydromatic fun. So throw on a poodle skirt, dust off that leather jacket, and rediscover the show that’s been winning hearts for generations!
Disney’s Newsies JR. is a 60-minute version of the 2012 Broadway musical, based on the 1992 film. Inspired by the rousing true story of newsboys in turn-of-the-century New York City, Newsies JR. features a Tony Award-winning score by Alan Menken and Jack Feldman and a book by Tony Award winner Harvey Fierstein.
When powerful newspaper publishers raise prices at the newsboys’ expense, the charismatic Jack Kelly rallies newsies from across the city to strike against the unfair conditions. Together, the newsies learn that they are stronger united and create a movement to fight for what’s right.
Including the now-classic songs “Carrying the Banner,” “Seize the Day,” and “Santa Fe,” Newsies JR. is a timeless story full of spirit and heart. – Music Theatre International
Disney Channel’s smash hit movie musical comes to life on your stage in Disney’s High School Musical JR. Troy, Gabriella and the students of East High must deal with issues of love, friends and family while balancing their classes and extra-curricular activities. The show’s infectious, danceable songs are sure to engage performers and audiences alike.
It’s the first day after winter break at East High. The Jocks, Brainiacs, Thespians and Skater Dudes all find their cliques. Basketball team captain and resident jock, Troy, discovers that the brainy Gabriella, a girl he met singing karaoke on his ski trip, has just enrolled at East High. The couple causes an upheaval when they decide to audition for the high school musical. Although many students resent the threat posed to the “status quo,” Troy and Gabriella’s alliance might just open the door for others to shine as well. – Music Theatre International
