Feb 10 Tuesday
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
The period from the 1870s to the 1900s, known as the Gilded Age, saw the rise of the railroad, textile industry, and production. It also saw a rise in migration to US cities, providing workers to fill low paying jobs producing many of the fashions of the era. This era marked a turning point in fashion as new technologies and changing cultural norms transformed the ways in which people dressed.
Explore this history and enjoy the rare chance to see clothing, notions, and artifacts of the period from the Washington State Historical Society collections.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
Stories are shaped by the ways we tell them. In Shaping the Story: Designs for the Theatre by Carey Wong, go behind the scenes to see how theatre sets bring stories to life. During a career spanning over 50 years, Carey Wong has designed sets and costumes for more than 300 productions, including operas, plays, musicals, and ballets.
This exhibition features scale models of his designs in addition to costumes, set pieces, and stories of Washington’s rich entertainment history. From sketches of an idea to fully realized sets, explore how a designer’s decisions craft the world of a story.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.
His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.
Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
Presented by KNKX. Bria Skonberg is a Juno-award winning artist, 10x Downbeat Rising Star, recipient of the Legend Award by the Society for the Preservation of the Great American Songbook and a 2025 nominee for the prestigious "Academie du Jazz" awards.
The trumpeter, vocalist, and songwriter has been called the “shining hope of hot jazz”(NY Times) and is considered “one of the most versatile and imposing musicians of her generation”(Wall Street Journal) She has been a featured artist at hundreds of festivals and stages the world over, including New Orleans Jazz Heritage, Kobe, Monterey, Breda, Newport and Montreal Jazz Festivals and recently at Carnegie Hall. Her debut LP on Sony Masterworks reached #5 on the Billboard Jazz charts. Her most recent studio album What it Means was recorded in New Orleans during Mardi Gras featuring top local musicians and released on Cellar Live. Her music has been streamed over 20 million times.
The daughter of teachers, Bria was introduced to jazz by a spirited public school band program and local festival in her hometown of Chilliwack, British Columbia Canada. A professional band leader since her teens, she moved to Vancouver and obtained her degree in Trumpet Performance from Capilano University. Since arriving in New York in 2010 she has been at the forefront of a revival of classic American music as both a performer and educator, programming concerts and workshops for students of all ages on behalf of Jazz at Lincoln Center, the Louis Armstrong House Museum, Jazz House Kids and more. She is a co-producer of the NY Hot Jazz Camp now in its 10th year. Bria is an active member of the Women in Jazz Organization, the International Trumpet Guild, a Bach Conn-Selmer artist, and became a mother in 2020.
Feb 11 Wednesday
