Nov 23 Sunday
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
🎷 Jazz Jam at Butter Notes Café 🎷📍 Butter Notes Café – Everett, WA🗓️ Every 1st & 3rd Sunday @ 2 PM
☕ Come sip, snack, and swing!
Join us for an afternoon of live jazz and spontaneous creativity at Butter Notes Café! Whether you’re here to play or just enjoy the vibes, you’re welcome.
🧇 Fresh croffles and warm coffee served all afternoon🎶 Open to all instruments, all levels💛 Donations encouraged to support local musicians and future sessions
Bring your instrument, your friends, or just your love for music!
Please join Seattle Pro Musica for its highly anticipated annual appearance at the St. John | San Juan Episcopal Church concert series.The award-winning choral ensemble will treat concert-goers to its Northern Lights performance, inspired by the otherworldly beauty of the aurora borealis. From medieval chant and traditional carols to dazzling works by Arvo Pärt, Ola Gjeilo, and Veljo Tormis, you’ll journey through a thousand years of ethereal Baltic and Nordic choral music. In the centerpiece, Northern Lights by Ēriks Ešenvalds, voices, chimes, and tuned water goblets combine to evoke the spectacle of the aurora.Suggested donation is $20. You may make a donation here or pay at the door.The concert begins at 3 p.m. Saturday, November 23, at St. John | San Juan Episcopal Church, 114 20th Ave. S.E., Olympia. (Intercity Transit Route 13). An accessible entrance is off the parking lot at 19th Avenue and Capitol Way.
Take a musical journey through the American spirit with two beloved masterworks that celebrate the poetry, humor, and heart of a nation still discovering itself. Randall Thompson’s Frostiana sets the evocative verse of Robert Frost to music of luminous warmth and clarity. Paired with this is Aaron Copland’s iconic Old American Songs, a vibrant set of folk melodies arranged with Copland’s signature open harmonies and rhythmic vitality.
Join us for Julefest, Ballard's favorite Nordic holiday tradition. Throughout the weekend, bring the whole family and step into a winter wonderland for an authentic Nordic holiday experience with live music, unique treats, and community spirit! Wander through rows of stalls filled with handcrafted gifts, traditional foods, and cozy Scandinavian apparel. This isn't just another holiday market—Julefest is one of Seattle's favorite traditions. It's where the city comes together to celebrate the season, and it’s the perfect way to get into the holiday spirit.
Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.
His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.
Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
Tumble out of bed and stumble to the theater for this delicious workplace revenge comedy from living legend Dolly Parton. Pushed to the boiling point by their sexist, egotistical, lying, hypocritical boss, three female co-workers concoct a plan to get even—a plan that spins wildly and hilariously out of control. Hey, a girl can scheme, can’t she?
Set in the Rolodex era, when shag rugs, pet rocks, and disco were the grooviest things around, this must-see, dance-filled musical is based on the hit 1980 film and features the blockbuster title song—plus a new score of 18 original numbers by Dolly Parton herself. Outrageous, big-hearted, and even a little romantic, 9 to 5: The Musical is about teaming up and getting credit, it’s about kicking butt and taking care of business, and it’s about to put a huge smile on your face.
Nov 24 Monday
Supported by KNKX. “When I began, soul was something people had. It wasn’t a style of music,” Taj Mahal says. No matter where we come from, we are all part of the same circle. We all want to dance, to get out of our heads, and tap into ourselves. When delivered by the Taj Mahal Quintet, the blues can take us there. For more than 40 years, Grammy-winning legend Taj Mahal and his band have taken blues on a joyride through reggae, funk, jazz, cajun, and more, leaving a trail of swinging hips and raised palms in their wake. The quintet is made up of internationally renowned bassist Bill Rich and steel drummer Robert Greenidge (Jimmy Buffet’s Coral Reefer Band), revered percussionist/drummer Tony Durham and Hawaiian based guitarist and lap steel master Bobby Ingano. The five match musical virtuosity with downhome grit unlike anyone else: a blend of sophistication and humble familiarity that is equally at home on a shotgun-shack porch or a Carnegie Hall stage. According to Taj, the collaboration extends far beyond the Taj Mahal Quintet themselves. “Music is like theater to a lot of people -- they’re watching it,” he says. “Well, you can watch it, but you’re supposed to participate. The audience is just as much a part of the music as the musicians are.” Taj pauses, then adds with a warm laugh, “I do like it when they dance.”
One of the most prominent and influential figures in late 20th century blues and roots music Taj Mahal is a 2014 recipient of the Americana Music Association Lifetime Achievement Award along side such luminaries as Jackson Brown, Loretta Lynn and Flaco Jimenez. The three-time Grammy winner and one of the most influential American blues is roots artists of the past half-century.
A self-taught musician, Taj plays over 20 instruments including National Steel and Dobro guitars, and his remarkable voice ranges from gruff and gravelly to smooth and sultry. His music remains a well-seasoned gumbo, spiced with influences that originate in the Caribbean, West Africa, the Southern States, and the inner cities of America.
A group of visual artists have come together to express their concern over the current state of the nation/world due to today’s political situation. The show title “Degenerate” Art harkens back to the label used by the Nazis in the 1930s to attack modern art and the artists who did not adhere to the permitted view of racial purity, militarism, and obedience.
Pieces by six established Vashon Island artists will be presented: Gregory Burnham, Bill Cleaver, Bill Jarcho, Alice Larson, Marc Pease, and Lenard Yen.
“Every day this becomes a more important show as we see the arts attacked and erosion of our freedom of speech,” said Alice Larson. “What is happening parallels fascism in Germany under Hitler. Anything not toeing the line of the administration in power is deleted, banned, and those related to it punished.”Bill Cleaver summarized why the exhibit is particularly relevant to the group. “We are artists, so this is how we express our concerns. We hope this show will inspire others to find their own way to declare their distress.”
The “Degenerate” Art Show will be on display at Snapdragon Café, 17817 Vashon Hwy SW, Vashon Island, WA during November 2025, with an opening celebration on First Friday November 7, 6 – 9 p.m.
Echoes of the Floating World features a striking collection of 18th, 19th and early 20th-century Japanese woodblock prints from the Tacoma Art Museum and others, displayed alongside works by contemporary Northwest artists. This exhibition honors the rich legacy of ukiyo-e while exploring its cultural impact on today’s artistic expressions.
Hours-
Monday CLOSEDTuesday CLOSEDWednesday 10 am – 5 pmThursday 10 am – 8 pmFriday 10 am – 5 pmSaturday 10 am – 5 pmSunday 10 am – 5 pm
