Jul 15 Wednesday
It’s the jukebox musical nobody asked for! First there was Mamma Mia!, then Jersey Boys, then Beautiful: The Carole King Musical—and now, at last, there’s We Ain’t Ever Gonna Break Up, the bio-musical that charts the fictional lives of the most famous folk duo that never existed, chock full of the absolute best songs from their completely fictional catalogue.
From their earliest days performing Christian folk through an unforgettably muddy performance at Woodstock to their hysterically misguided children’s television show, Saul Hymon and Bart Parfunkel have lived (and sung!) through it all. Expect an evening of ear-to-ear smiles and belly-laughs as Hymon and Parfunkel—in tour-de-force performances by writers Gregg Hammer and Louis Pardo—satirically skewer the jukebox musical while playing every role (and every instrument!) in this brand-new feel-good buddy show.
Will the perfect fictional folk duo find superstardom, or will they break up? You’ll have to come see to find out!
Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.
His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.
Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
Supported by KNKX. Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. & The M.G.’s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It’s a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat. Live, the band’s fiery and intuitive chemistry is unstoppable, brimming with improvisation, instant composition, imaginative takes on classic tunes, and a booty-shaking back catalog of soulful gems.
Since its humble beginnings in May, 2015, the trio has issued several Billboard-charting albums and a 45; toured nationally and internationally, and performed on live at Upstream Music Festival broadcast by KEXP that garnered over 15 million views. This May, Delvon will release a new 45, "Chicken Leg," on Colemine Records.
Congratulations to Delvon Lamarr on being named the Rising Star Critics Choice for Organist of the Year! Check out the 70th Annual Downbeat Critics Poll.
Jul 16 Thursday
Jonathan Butler is a singer-songwriter and guitarist who leads a life few can imagine. Born in South Africa under the shadow of apartheid and raised in poverty, Butler was the first non-white artist to be played on South African radio and appear on national television. Though his musical abilities would take him away from the world he grew up in, Jonathan would neither forget the plight of his fellow South Africans, nor the man that led them to freedom. It is for this reason Nelson Mandela credits Butler’s music as having inspired him during his imprisonment. In more ways than one, Jonathan Butler is representative of South Africa.
Jonathan’s story begins at a very young age when his father presented him with a homemade one-string guitar. Little did his father realize that he was giving way to a musical phenomenon. From then on, Jonathan’s musical gifts grew by leaps and bounds. In his early teens Butler won a local talent contest, affording him the opportunity to perform with a touring musical company throughout South Africa. On occasion he would perform at lavish concert halls for whites only, where he would not be allowed to use the bathroom, and the very next night he would perform in a dilapidated local township. Ultimately, his ticket to a new life was music.
At thirteen, Jonathan’s talents caught the eyes and ears of the British record producer Clive Caulder. He was signed to Caulder’s Jive Records and the rest is history. Jonathan’s first single broke down racial barriers becoming the first song by a black artist played by white radio stations in South Africa and won the South African equivalent to a Grammy.
His commitment to his craft came to fruition with his self-titled debut album, which received a Grammy nomination for the pop hit “Lies.” An instrumental “Going Home” earned him another Grammy nomination and the mid-tempo ballad “Sarah, Sarah” confirmed Butler’s place in popular music. In 2025, Butler received an Honorary Doctorate in Philosophy from the prestigious Stellenbosch University in South Africa.
In celebration of its 30th anniversary, the Washington State Historical Society invites you to explore the history of building the State History Museum. 30 Years and Counting: The Making of the Washington State History Museum is a special exhibition that uncovers the vision, effort, and community spirit that brought this iconic Tacoma landmark to life.
Discover the bold ideas and architectural ingenuity that shaped the museum’s distinctive look. From early sketches to final blueprints, see how the building’s design reflects both innovation and reverence for Washington’s past. Go behind the scenes of the museum’s construction. Through photographs and artifacts from the building process, witness how a dream took shape—brick by brick, beam by beam.
Staff Picks: 30 Objects for 30 Years
In a special feature area, museum staff share their favorite objects from the collection—each one a personal reflection on the power of history to inspire, surprise, and connect us.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
Dive into the whimsical world of Moominvalley and the life of its creator, Tove Jansson, with "Moomins’ Sea Adventures" and "Tove and the Sea".
"Moomins’ Sea Adventures" brings Moominvalley to life with illustrations and life-sized characters from the stories. In the center of the exhibit is an interactive island complete with a lighthouse and rowboats that invites visitors to imagine adventures of their own.
"Tove and the Sea" offers a more intimate counterpoint, tracing Tove Jansson’s lifelong relationship with the Finnish archipelago through large-scale photographs and reflective texts.
“Every piece I create, from the humblest tumbler to the most baroque sculpture, makes a statement about isolation, striving, access, perseverance, boundary pushing, and the pursuit of excellence. I believe my presence in the field as a working-class Black man, striving and excelling in a field occupied chiefly by society’s most privileged (whitest), is a powerful artistic and political gesture. “—Jason McDonald
Glass vessels evocative of the highly ornamented Baroque style, black silhouettes embedded in scenes on ancient pottery vessels, and medallion reliefs of Black figures all abide in the deliberate, expansive practice of Jason McDonald. McDonald’s visual language is deeply rooted in research of ancient histories, traditional techniques, and race. Here, contemporary ideas blend and transform tradition with caring attention to detail, precision in thought, and beauty. Motivated by glass—with its magical properties, myriads of endless possibilities and potential—McDonald’s devotion lies in the desire to refine the craft, making his hands more familiar and knowledgeable with each replication. Through his repetition and re-imagination of these historical forms, the objects transform into sculptures and vessels of time, carrying with them the essence of centuries-old traditions, as well as McDonald’s commitment and insertion of the representation and notions of Black identity. With a commitment to the craft that transcends his own work, McDonald diligently carves out space for those who will follow him through mentoring and the creation of his own glass studio, which he has named Ideal Conditions.
Organized by Tacoma Art Museum and curated by Victoria Miles.
