Sep 27 Sunday
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
“Every piece I create, from the humblest tumbler to the most baroque sculpture, makes a statement about isolation, striving, access, perseverance, boundary pushing, and the pursuit of excellence. I believe my presence in the field as a working-class Black man, striving and excelling in a field occupied chiefly by society’s most privileged (whitest), is a powerful artistic and political gesture. “—Jason McDonald
Glass vessels evocative of the highly ornamented Baroque style, black silhouettes embedded in scenes on ancient pottery vessels, and medallion reliefs of Black figures all abide in the deliberate, expansive practice of Jason McDonald. McDonald’s visual language is deeply rooted in research of ancient histories, traditional techniques, and race. Here, contemporary ideas blend and transform tradition with caring attention to detail, precision in thought, and beauty. Motivated by glass—with its magical properties, myriads of endless possibilities and potential—McDonald’s devotion lies in the desire to refine the craft, making his hands more familiar and knowledgeable with each replication. Through his repetition and re-imagination of these historical forms, the objects transform into sculptures and vessels of time, carrying with them the essence of centuries-old traditions, as well as McDonald’s commitment and insertion of the representation and notions of Black identity. With a commitment to the craft that transcends his own work, McDonald diligently carves out space for those who will follow him through mentoring and the creation of his own glass studio, which he has named Ideal Conditions.
Organized by Tacoma Art Museum and curated by Victoria Miles.
Sip bubbly, feast on brunch, and watch fierce rooftop drag queens slay the day away in Seattle!
Seattle Drag Brunch at Fog Room is a high-energy rooftop entertainment experience featuring drag performances, elevated brunch offerings, handcrafted cocktails, and a vibrant social atmosphere in the heart of downtown Seattle.
Designed for locals and visitors alike, the event combines exceptional entertainment, hospitality, and brunch in a fun, inclusive environment. Whether guest are celebrating a birthday, bachelorette party, special occasion, or simply looking for a unique Sunday experience, Seattle Drag brunch offers an unforgettable afternoon above the city.
Food and beverages will be available for purchase throughout the event.
Live Jazz!
"Migration," a multifaceted show exploring the movement of wildlife, people and ideas across the world, is open now. Artists Kate Flores, Mary O'Shaughnessy and Loran Scruggs of Port Townsend and Carolyn King of Tucson are presenting a variety of two- and three-dimensional creations. Their materials range from tin cans and bottle caps to embroidery, paint, cast glass and beyond. Northwind's gallery, at 701 Water Street in downtown Port Townsend, is open noon to 5 p.m. Thursdays through Mondays. More information awaits at NorthwindArt.org. Pictured: "Danzante Azteca" by Carolyn King.
The Board of Directors invites you to a fun and festive afternoon in support of Pacific Bonsai Museum, in an unparalleled location. This may be our final year holding Branch Out in the original Weyerhaeuser Corporate HQ, so if you have ever wanted to spend time inside this historically significant building, please join us! Raise a glass with friends over delicious bites and libations, and take part in a stirring paddle raise, all in celebration of Pacific Bonsai Museum.
Branch Out features a stunning selection of Museum bonsai to view and enjoy, plus live jazz by the Michael Glenn Trio. Discover one-of-a-kind silent auction treasures, including ever-popular kusamono plantings, and watch watercolor artist Andy Pham create a live painting depicting one of our bonsai, then bid to take the original home during the live auction.
The afternoon comes alive with performances by Susie Philipsen (a local singer-songwriter whose vocals float over folk-rock-jazz guitar in a subtly vintage and timeless style), along with the Seattle Kokon Taiko Drummers, and the Seattle Chinese Children’s Dance Group, in a program hosted by dynamic auctioneer Matt Lorch.
This is more than an event. It’s a celebration of living art, culture, music, and nature, all benefiting Pacific Bonsai Museum. Seats are limited, so reserve your tickets today and be part of an unforgettable event.
🎷 Jazz Jam at Butter Notes Café 🎷📍 Butter Notes Café – Everett, WA🗓️ Every 1st & 3rd Sunday @ 2 PM
☕ Come sip, snack, and swing!
Join us for an afternoon of live jazz and spontaneous creativity at Butter Notes Café! Whether you’re here to play or just enjoy the vibes, you’re welcome.
🧇 Fresh croffles and warm coffee served all afternoon🎶 Open to all instruments, all levels💛 Donations encouraged to support local musicians and future sessions
Bring your instrument, your friends, or just your love for music!
Perched high above the city streets, High Rise Hijinks is an afternoon of thrills, laughter, and breathtaking physical comedy.
The program opens with Liberty (1929), in which Laurel & Hardy find themselves stranded on a towering steel framework, where a simple wardrobe mix-up spirals into a dizzying series of near misses and perfectly timed chaos.
The feature, Safety Last! (1923), follows Harold Lloyd’s unforgettable climb up a downtown skyscraper — culminating in one of the most iconic moments in film history.
Nationally renowned organist Dennis James accompanies both films live on the Washington Center’s cherished 1924 Andy Crow Wurlitzer, connecting modern audiences to the irreplaceable magic of silent cinema.
