Oct 12 Monday
In 1902 New York, anything seemed possible. RAGTIME is a uniquely compelling exploration of America at the turn of the 20th century, weaving together three unforgettable stories: a daring Harlem pianist, a determined Jewish immigrant, and an affluent society woman. Each navigates a changing world, united by courage, compassion, and belief in the promise of the future.
With its Tony Award-winning score blending ragtime, blues, jazz, and show tunes, RAGTIME has been hailed by TIME Magazine as “a triumph for the stage,” and by the International Herald Tribune as “the best musical in twenty years.”
In a production marking our nation’s 250th birthday, this beloved epic musical bursts onto the Village stage, painting a vivid portrait of the people who built this country with hope for a brighter tomorrow.
Brooklyn-based saxophonist and composer Caroline Davis is driven by a desire for connection and a belief in music’s mind-broadening and healing qualities. She is a 2025 Guggenheim Fellow, and 2018 DownBeat Critics Poll Rising Star–Alto Saxophone. Her work, while rooted in improvisation, makes use of various creative modalities. Fallows (2026, Ropeadope Records) is Davis’ debut solo release of alto saxophone and electronics. For this performance, Davis performs solo.
Get ready to vibe live with Lamar Lofton and Leifo & dem – an epic night you don’t wanna miss!Hideout Presents ... "Lamar Lofton Presents" ... Leifo & demLeif Totusek (guitar) and Ngoma Numu (drums)Get ready for a night to remember at The Hideout with Lamar Lofton bringing you the freshest vibes! Dive into the sounds of Leifo & dem as they take the stage live. This is an in-person event you won't wanna miss—good music, good energy, and good times all around. Grab your crew and come through for some unforgettable beats and chill vibes!
Oct 13 Tuesday
Sponsored by KNKX. Now in its 38th year, the Earshot Jazz Festival returns in October with performances, premieres, and workshops at more than a dozen venues across the city, showcasing esteemed Pacific Northwest resident artists alongside internationally renowned masters in a celebration of Seattle’s vibrant jazz scene.
In honor of the centennial of John Coltrane and Miles Davis, this year’s festival reflects on their enduring legacies while spotlighting the artists shaping jazz today and into the future.
This year’s lineup includes Dianne Reeves and Branford Marsalis, Gary Bartz and NTU Troop, Jun Ida, Jessica Lurie, Zaccai Curtis, Julian Lage, Kiefer, Christian Sands, Warren Wolf, Sasha Berliner, Fonville x Fribush and much more!
Styled by the Streets: Black Women in Hip-Hop Fashion explores how Black women transform Hip-Hop fashion into a cultural and political force, transcending the boundaries of music to influence global style, self-expression, and identity. From streetwear to couture, hair to jewelry, and iconic photography, the exhibition showcases style as a powerful expression of Black womanhood across 30 unique artifacts. Layered in late 1990s and early 2000s denim, holographic finishes, and Y2K palettes, the gallery highlights the artists and cultural creators who bring these iconic looks to life—centering the women visionaries whose creativity reshapes Black and Hip-Hop communities through storytelling, authorship, and legacy.
Join us as we welcome members of the Latine community to the Aquarium. To celebrate Hispanic Heritage Month, we’ll have a digital scavenger hunt, animal talks in Spanish and English (select dates) and more. Open to all members of the Latine community and other people interested in celebrating Latine culture.
Be sure to bring your little ones too! We’ll have special activities during Toddler Time on September 27 and 28, and October 10 and 11. Join us for a sensory-friendly early opening on Sunday, September 27 at 9am. For early-opening ticket information, reach out to connections@seattleaquarium.org.
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
“Every piece I create, from the humblest tumbler to the most baroque sculpture, makes a statement about isolation, striving, access, perseverance, boundary pushing, and the pursuit of excellence. I believe my presence in the field as a working-class Black man, striving and excelling in a field occupied chiefly by society’s most privileged (whitest), is a powerful artistic and political gesture. “—Jason McDonald
Glass vessels evocative of the highly ornamented Baroque style, black silhouettes embedded in scenes on ancient pottery vessels, and medallion reliefs of Black figures all abide in the deliberate, expansive practice of Jason McDonald. McDonald’s visual language is deeply rooted in research of ancient histories, traditional techniques, and race. Here, contemporary ideas blend and transform tradition with caring attention to detail, precision in thought, and beauty. Motivated by glass—with its magical properties, myriads of endless possibilities and potential—McDonald’s devotion lies in the desire to refine the craft, making his hands more familiar and knowledgeable with each replication. Through his repetition and re-imagination of these historical forms, the objects transform into sculptures and vessels of time, carrying with them the essence of centuries-old traditions, as well as McDonald’s commitment and insertion of the representation and notions of Black identity. With a commitment to the craft that transcends his own work, McDonald diligently carves out space for those who will follow him through mentoring and the creation of his own glass studio, which he has named Ideal Conditions.
Organized by Tacoma Art Museum and curated by Victoria Miles.
