Aug 11 Tuesday
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
In summer 2026, MOHAI will be one of only eight venues nationwide to host the Freedom Plane National Tour: Documents That Forged a Nation—a landmark exhibit from the National Archives created in celebration of the nation’s 250th anniversary.
Inspired by the Freedom Train, which carried historic documents across the country during the Bicentennial, the Freedom Plane National Tour shares original founding-era records from the National Archives with a limited number of cultural institutions nationwide.
Selected as one of only eight venues nationwide, and the final stop on the national tour, MOHAI will host the Freedom Plane National Tour from July 30–August 16, 2026, offering a once-in-a-generation opportunity for the Pacific Northwest to experience these original records before they return to the National Archives vaults.
In alignment with MOHAI’s mission and the significance of America’s 250th anniversary, the Freedom Plane National Tour exhibit will be presented free and open to the public during its run at MOHAI. Additional visitor information will be shared closer to the exhibit opening.
MOHAI will showcase original founding-era documents on loan from the National Archives, central to the creation of the United States.
These fragile, irreplaceable documents are traveling together for the first time as part of the Freedom Plane National Tour. After appearing at a limited number of cultural institutions nationwide, the tour will conclude at MOHAI before the documents return to the National Archives.
“Every piece I create, from the humblest tumbler to the most baroque sculpture, makes a statement about isolation, striving, access, perseverance, boundary pushing, and the pursuit of excellence. I believe my presence in the field as a working-class Black man, striving and excelling in a field occupied chiefly by society’s most privileged (whitest), is a powerful artistic and political gesture. “—Jason McDonald
Glass vessels evocative of the highly ornamented Baroque style, black silhouettes embedded in scenes on ancient pottery vessels, and medallion reliefs of Black figures all abide in the deliberate, expansive practice of Jason McDonald. McDonald’s visual language is deeply rooted in research of ancient histories, traditional techniques, and race. Here, contemporary ideas blend and transform tradition with caring attention to detail, precision in thought, and beauty. Motivated by glass—with its magical properties, myriads of endless possibilities and potential—McDonald’s devotion lies in the desire to refine the craft, making his hands more familiar and knowledgeable with each replication. Through his repetition and re-imagination of these historical forms, the objects transform into sculptures and vessels of time, carrying with them the essence of centuries-old traditions, as well as McDonald’s commitment and insertion of the representation and notions of Black identity. With a commitment to the craft that transcends his own work, McDonald diligently carves out space for those who will follow him through mentoring and the creation of his own glass studio, which he has named Ideal Conditions.
Organized by Tacoma Art Museum and curated by Victoria Miles.
Each week brings new adventures during the Summer Splash! Festival of Fun! Our event calendar is filled with exciting activities and special guests that spark creativity, curiosity, and wonder. Enjoy roller-skating parrots, circus performers, inspiring artists, border collie athletes, sand carvers, a 25-foot rock wall, and so much more!
Presented by WSECU
Childhood's End Gallery presents Form a Line, a group exhibition of new work by four distinct Pacific Northwest artists. Finding common ground in bold representation of the natural world, Kathy Anderson, Colleen Cotey, Sara Gettys, and Julia Janeway each bring a practiced sensitivity to their chosen mediums. Through processes that remove material or add it, these four artists present new works rooted in an intimate knowledge of place and material.
This class is for kiddos ages 2-3 who are neurodivergent and/or on the autism spectrum and their caregivers. Please bring headphones for your child if they benefit from wearing them, we will have a few spare pairs as well!
Young movers (ages 6-9) explore their creativity through daily dance classes, imaginative activities, and fun choreography, culminating in an informal performance for family and friends. A healthy snack is served each day to keep their imagination fueled!
Few people knew John Lennon as intimately as May Pang. Pang was Lennon’s lover during the infamous “Lost Weekend” which lasted 18 months during late 1973 through 1975. During this highly creative time for Lennon, Pang took candid photos of Lennon in a comfortable, relaxed environment. A collection of these private photographs will be on display and available for purchase at The Artists Gallery in Olympia, WA, 625 Black Lake Blvd SW, Olympia, WA (in the Capital Mall) on Tuesday, August 11 & Wednesday, August 12. All works are available to purchase - See John Lennon as May saw him!
May Pang will be in attendance at The Artists Gallery both days, meeting customers and telling stories behind these amazing limited-edition photographs for sale of John Lennon.
