Oct 09 Thursday
Stage of Fools Written by Joy McCullough Directed by Amy Poisson
A scrappy feminist theater company is about to go under when they receive an offer they can't refuse: has-been 80s action movie star Jake Stone will endow them with more money than they've ever dreamed of, if they'll produce King Lear, with him in the titular role. Never mind that he's an entitled, egotistical blowhard. These women can survive anything for the sake of the theater they love...right?
Evening and matinee performances.
It’s almost like being in love! Dance your way back in time to one of the most romantic musicals ever written, Lerner and Loewe’s Brigadoon. Americans Tommy and Jeff are hiking the Scottish Highlands, when out of the mists they stumble upon the enchanting village of Brigadoon, which appears for only one day every 100 years. But this dreamlike place is far more than it seems—and those who fall in love there might never be the same.
From the writers of My Fair Lady and Camelot comes this soaring love story, full of glorious ballet and favorite tunes like “Come to Me, Bend to Me,” “The Heather on the Hill” and “Almost Like Being in Love.” This production features an exquisite new adaptation, which enhances all the romance and magic that makes Brigadoon a truly timeless masterpiece.
Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.
His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.
Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
The Capitol Fools hold up a mirror to our crazy political culture, providing hilarious song parodies and foolish reflections that inspire belly-laughter as both sides of the aisle get skewered. Cast members from past seasons of the Capitol Steps perform all the beloved bits, the mind-boggling backward talking spoonerisms, break-neck costume changes, over-the-top impressions, and song parodies reflecting the day’s news.
October 11, 2025, is World Migratory Bird Day! Start celebrating on Thursday, October 9, at this unique Royal Room event. “For the Birds” features a jazz quintet performing the original music of Seattle pianist and composer Nelda Swiggett. But this is not just a concert. The performance engages the power of artistic expression — live music, spoken words, images and poetry — to connect audiences emotionally to the scientific realities of climate change through the lens of birds. Ultimately a story of hope, audiences leave the performance feeling empowered to take meaningful action.
Nelda Swiggett has been a vibrant force in the Pacific Northwest jazz scene since the early 1990s. Her compositions blend jazz with Afro-Cuban, gospel and classical influences, creating a distinctive and engaging sound. This Royal Room performance features Sidney Hauser (saxes, flute), Clif Swiggett (trombone), Nelda Swiggett (piano/compositions), Chris Symer (bass), Adam Kessler (drums) and the poetry of Jill McGrath.
For more information, visit: https://neldaswiggett.com/for-the-birds/
Oct 10 Friday
April, 2025, marks the 32 year anniversary of Big Bad Voodoo Daddy's remarkable arrival onto the music scene. Since its formation in the early nineties in Ventura, California, the band has toured virtually nonstop, performing on average over 150 shows a year, and has produced a sizable catalog of recorded music, with sales of over 2 million albums to date. Early on, during their legendary residency at the Derby nightclub in Los Angeles, they reminded the world, in the midst of the grunge era no less, that it was still cool to swing. The band, co-founded by singer Scotty Morris and drummer Kurt Sodergren, was at the forefront of the swing revival of that time, blending a vibrant fusion of the classic American sounds of jazz, swing, and Dixieland, with the energy and spirit of contemporary culture.
Big Bad Voodoo Daddy’s all original core line-up includes Scotty Morris (lead vocals and guitar), Kurt Sodergren (drums), Dirk Shumaker (double bass and vocals), Andy Rowley (baritone saxophone and vocals), Glen "The Kid" Marhevka (trumpet), Karl Hunter (saxophones and clarinet) and Joshua Levy (piano and arranger).
Big Bad Voodoo Daddy’s efforts to promote and revitalize swing music have taken shape as much more than a simple tribute. Taking inspiration from the creators of this uniquely American art form, the band’s original horn-infused music and legendary high energy show introduces the genre to a new and younger generation while remaining cognizant and respectful of the music’s rich legacy.
Echoes of the Floating World features a striking collection of 18th, 19th and early 20th-century Japanese woodblock prints from the Tacoma Art Museum and others, displayed alongside works by contemporary Northwest artists. This exhibition honors the rich legacy of ukiyo-e while exploring its cultural impact on today’s artistic expressions.
Hours-
Monday CLOSEDTuesday CLOSEDWednesday 10 am – 5 pmThursday 10 am – 8 pmFriday 10 am – 5 pmSaturday 10 am – 5 pmSunday 10 am – 5 pm
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
The period from the 1870s to the 1900s, known as the Gilded Age, saw the rise of the railroad, textile industry, and production. It also saw a rise in migration to US cities, providing workers to fill low paying jobs producing many of the fashions of the era. This era marked a turning point in fashion as new technologies and changing cultural norms transformed the ways in which people dressed.
Explore this history and enjoy the rare chance to see clothing, notions, and artifacts of the period from the Washington State Historical Society collections.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
