Nov 22 Saturday
Tumble out of bed and stumble to the theater for this delicious workplace revenge comedy from living legend Dolly Parton. Pushed to the boiling point by their sexist, egotistical, lying, hypocritical boss, three female co-workers concoct a plan to get even—a plan that spins wildly and hilariously out of control. Hey, a girl can scheme, can’t she?
Set in the Rolodex era, when shag rugs, pet rocks, and disco were the grooviest things around, this must-see, dance-filled musical is based on the hit 1980 film and features the blockbuster title song—plus a new score of 18 original numbers by Dolly Parton herself. Outrageous, big-hearted, and even a little romantic, 9 to 5: The Musical is about teaming up and getting credit, it’s about kicking butt and taking care of business, and it’s about to put a huge smile on your face.
Join MBT for an evening with Over the Rhine, the acclaimed husband-and-wife Americana duo Karin Bergquist and Linford Detweiler. Love & Revelation, Over the Rhine’s newest album, is a record made for this moment. The songs have been rigorously road tested and burst at the seams with loss, lament, and resilient hope. During the album’s 11 tracks, fall under the spell of Berqquist’s timeless voice. “[A voice] which has the power to stop the world in its tracks,” according to the Performing Songwriter. Like its predecessors, Love & Revelation showcases the pair’s timeless songcraft and understated yet soulful delivery.
Symphony Tacoma (Sarah Ioannides, conductor0Demarre McGill, flute
Nielsen: Helios OvertureMozart: Flute Concerto No.1 in G MajorSibelius: Symphony No.1
From sunlit overtures to symphonic grandeur, this concert echoes with beauty and soul.
Nielsen’s Helios Overture paints a radiant musical journey from sunrise to sunset, setting the stage with warmth and breathtaking themes. An unforgettable performance by Demarre McGill, one of today’s most captivating flutists, brings his charm to Mozart’s Flute Concerto No. 1 in G Major. Opening with quiet tension and building to sweeping grandeur, Sibelius’ Symphony No. 1 surges with Nordic expression, romanticism, and the bold voice of a rising symphonic hero.
Come Early for Symphony Tacoma Soundcheck – 6pmLearn more about the music, artists, and personalities of Echoes of Greatness with composer and Professor of Music at Pacific Lutheran University, Gregory Youtz, and Symphony Tacoma Music Director Sarah Ioannides.
Nov 23 Sunday
Supported by KNKX. “When I began, soul was something people had. It wasn’t a style of music,” Taj Mahal says. No matter where we come from, we are all part of the same circle. We all want to dance, to get out of our heads, and tap into ourselves. When delivered by the Taj Mahal Quintet, the blues can take us there. For more than 40 years, Grammy-winning legend Taj Mahal and his band have taken blues on a joyride through reggae, funk, jazz, cajun, and more, leaving a trail of swinging hips and raised palms in their wake. The quintet is made up of internationally renowned bassist Bill Rich and steel drummer Robert Greenidge (Jimmy Buffet’s Coral Reefer Band), revered percussionist/drummer Tony Durham and Hawaiian based guitarist and lap steel master Bobby Ingano. The five match musical virtuosity with downhome grit unlike anyone else: a blend of sophistication and humble familiarity that is equally at home on a shotgun-shack porch or a Carnegie Hall stage. According to Taj, the collaboration extends far beyond the Taj Mahal Quintet themselves. “Music is like theater to a lot of people -- they’re watching it,” he says. “Well, you can watch it, but you’re supposed to participate. The audience is just as much a part of the music as the musicians are.” Taj pauses, then adds with a warm laugh, “I do like it when they dance.”
One of the most prominent and influential figures in late 20th century blues and roots music Taj Mahal is a 2014 recipient of the Americana Music Association Lifetime Achievement Award along side such luminaries as Jackson Brown, Loretta Lynn and Flaco Jimenez. The three-time Grammy winner and one of the most influential American blues is roots artists of the past half-century.
A self-taught musician, Taj plays over 20 instruments including National Steel and Dobro guitars, and his remarkable voice ranges from gruff and gravelly to smooth and sultry. His music remains a well-seasoned gumbo, spiced with influences that originate in the Caribbean, West Africa, the Southern States, and the inner cities of America.
Experience the wild wonder of the holiday season as you traverse through the Mystical Forest where stunning creatures gleam brightly! Here, behold the magical forest train, mystical tree fairies and fantastical unicorns. Embark on a Journey on a Bright Desert Highway and see desert flora and fauna before discovering Marvelous Mammals where spectacular Northwest animals are vividly portrayed in lantern form. Family-favorite Interactive Lanterns are spread throughout the WildLanterns spaces. Let your imagination take flight in the Birds of Paradise zone, swan into this area where magnificent peacocks flaunt their flamboyant plumes and birds of a feather perch on enchanted branches. Finally, embark on a journey Under the Jungle Canopy and spot all the mischievous monkeys hiding in the foliage!
A group of visual artists have come together to express their concern over the current state of the nation/world due to today’s political situation. The show title “Degenerate” Art harkens back to the label used by the Nazis in the 1930s to attack modern art and the artists who did not adhere to the permitted view of racial purity, militarism, and obedience.
Pieces by six established Vashon Island artists will be presented: Gregory Burnham, Bill Cleaver, Bill Jarcho, Alice Larson, Marc Pease, and Lenard Yen.
“Every day this becomes a more important show as we see the arts attacked and erosion of our freedom of speech,” said Alice Larson. “What is happening parallels fascism in Germany under Hitler. Anything not toeing the line of the administration in power is deleted, banned, and those related to it punished.”Bill Cleaver summarized why the exhibit is particularly relevant to the group. “We are artists, so this is how we express our concerns. We hope this show will inspire others to find their own way to declare their distress.”
The “Degenerate” Art Show will be on display at Snapdragon Café, 17817 Vashon Hwy SW, Vashon Island, WA during November 2025, with an opening celebration on First Friday November 7, 6 – 9 p.m.
Echoes of the Floating World features a striking collection of 18th, 19th and early 20th-century Japanese woodblock prints from the Tacoma Art Museum and others, displayed alongside works by contemporary Northwest artists. This exhibition honors the rich legacy of ukiyo-e while exploring its cultural impact on today’s artistic expressions.
Hours-
Monday CLOSEDTuesday CLOSEDWednesday 10 am – 5 pmThursday 10 am – 8 pmFriday 10 am – 5 pmSaturday 10 am – 5 pmSunday 10 am – 5 pm
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
The period from the 1870s to the 1900s, known as the Gilded Age, saw the rise of the railroad, textile industry, and production. It also saw a rise in migration to US cities, providing workers to fill low paying jobs producing many of the fashions of the era. This era marked a turning point in fashion as new technologies and changing cultural norms transformed the ways in which people dressed.
Explore this history and enjoy the rare chance to see clothing, notions, and artifacts of the period from the Washington State Historical Society collections.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.