Supported by KNKX. Widely considered to be the world’s foremost exponent of solo jazz and fingerstyle guitar playing, Martin Taylor possesses an inimitable style that has earned him global acclaim from fellow musicians, fans and critics alike. He dazzles audiences with a signature style that artfully combines his virtuosity, emotion and humor with a strong, engaging stage presence.

Taylor has enjoyed a remarkable musical career spanning across five decades, with more than 100 recordings to his credit. Completely self-taught beginning at the early age of 4, he has invented and developed a unique way of playing the guitar that is greatly admired, and often emulated, by guitarists all over the world. 

A hectic touring schedule; twenty-one recordings as a leader, countless sideman recordings including Ray Brown, Bobby Hutcherson, Roger Kellaway; soundtrack performances on three of Clint Eastwood’s distinguished films—most notably Academy Award-winning Million Dollar Baby; raconteur, arranger, acclaimed educator, in residence at USC’s Studio/Jazz Guitar Dept., when does Bruce Forman rest?

Deep immersion in American culture inspires Forman to contribute to the traditions that he draws from. Reunion! (the newest project) revisits the famed Poll Winners sessions with cohorts John Clayton and Jeff Hamilton, playing instruments owned by Barney Kessel, Ray Brown and Shelly Manne; Formanism (his trio project); original works like The Red Guitar; his high-rated podcast, GuitarWank; Cow Bop and the “road challenges” down historic byways like Route 66; JazzMasters Workshop; Junkyard Duo; GrumpsTV (a fifty episode YouTube variety show during the lockdown), the popular ‘first chorus of the day’ series on Instagram…these are only the latest answers to the endless question that underlies Bruce Forman’s creativity. His music and life reflect every step of his journey, and demonstrate the awareness of an artist who is very much at home in the world, and at the top of his form.