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Lulu Miller is a contributing editor and co-founder of the NPR program Invisibilia.

Bellamy Pailthorp covers the environment for KNKX with an emphasis on climate justice, human health and food sovereignty. She enjoys reporting about how we will power our future while maintaining healthy cultures and livable cities. Story tips can be sent to bpailthorp@knkx.org.

Christina Cala is a producer for Code Switch. Before that, she was at the TED Radio Hour where she piloted two new episode formats — the curator chat and the long interview. She's also reported on a movement to preserve African American cultural sites in Birmingham and followed youth climate activists in New York City.

Meredith Rizzo is a visuals editor and art director on NPR's Science desk. She produces multimedia stories that illuminate science topics through visual reporting, animation, illustration, photography and video. In her time on the Science desk, she's reported from Hong Kong during the early days of the pandemic, photographed the experiences of the first patient to receive an experimental CRISPR treatment for sickle cell disease and covered post-wildfire issues from Australia to California. In 2021, she worked with a team on NPR's Joy Generator, a randomized ideas machine for ways to tap into positive emotions following a year of life in the pandemic. In 2019, she photographed, reported and produced another interactive visual guide exploring how the shape and size of many common grocery store plastics affect their recyclability.

Jacob Fenston is WAMU’s environment reporter. In prior roles at WAMU, he was the founding producer of The Big Listen, interim managing producer of Metro Connection, and a news editor. His work has appeared on many national programs and has been recognized by regional and national awards. More importantly, his reporting has taken him and his microphone deep into muddy banks of the Anacostia River, into an enormous sewage tunnel, and hunting rats in infested alleys. His best story ever (as determined by himself) did not win any awards, even though it required recording audio while riding a bicycle the wrong way down the busy streets of Oakland, Calif.