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New music from the late master of Afrobeat, drummer Tony Allen

In this photo taken Saturday, April 8, 2017, pioneering African drummer Tony Allen, whose influential career spanned decades and continents, plays in concert with Senegalese musician Cheikh Lo in Dakar, Senegal. Tony Allen, the driver of the Afrobeat sound who formed a partnership with guitarist and composer Fela Kuti, died of aortic failure at the Pompidou Hospital in Paris aged 79 on April 30, 2020.
Sylvain Cherkaoui
/
AP
In this photo taken Saturday, April 8, 2017, pioneering African drummer Tony Allen, whose influential career spanned decades and continents, plays in concert with Senegalese musician Cheikh Lo in Dakar, Senegal. Tony Allen, the driver of the Afrobeat sound who formed a partnership with guitarist and composer Fela Kuti, died of aortic failure at the Pompidou Hospital in Paris aged 79 on April 30, 2020.

Recorded five years ago, the late drummer Tony Allen has a new album out this year. The then-77-year-old master of Afrobeat was in fine form on a session with modern soul composer and producer Adrian Younge.

Called Tony Allen JID018, the title references its place as the latest in a series from Younge's Jazz Is Dead label. Naming their label to provoke a reaction, Younge and label co-founder Ali Shaheed Muhammad have championed jazz fusion, presented collaborations with vibraphonist Roy Ayers and saxophonist Gary Bartz.

This latest entry in the series features Allen's iconic rhythms. He is best known for drumming in Fela Kuti's legendary groups but also with hip-hop and pop stars later in his career.

The album has a classic Afrobeat vibe, down to the dusty production quality. Younge plays bass, guitar and keyboards including a vintage Ace Tone Electric Organ.

Allen's funky rhythms, always pulsing with emphasis "on the one", are decorated with subtly complex patterns on high hat cymbals and snare drum. Mostly, though, his drumming on Tony Allen JID018 is hypnotic and lifts each song into the realm of the spiritual.

Younge brings his own skillful soul style. The distorted wah-wah guitar and soulful horn arrangements on "Steady Tremble" and "Makoko" recall his soundtrack to Black Dynamite, while a head-bobbing hip-hop bounce colors the swaggering "Don't Believe the Dancers" and "Lagos."

There's also a big band jazz influence apparent in album opener "Ebun" and "No Beginning" which features a tasty trumpet solo by Emile Martinez.

Tony Allen JID018 shows Younge enjoying the traditional Afrobeat setting without dramatically reinterpreting it.

Despite the album's brief 28-minute running time, Allen's fans will love this thrilling collection of his final recordings.

The New Cool airs Fridays at 9 p.m., hosted by Abe Beeson and produced by KNKX Public Radio in Seattle, Washington. LISTEN ON DEMAND

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Abe grew up in Western Washington, a third generation Seattle/Tacoma kid. It was as a student at Pacific Lutheran University that Abe landed his first job at KNKX, editing and producing audio for news stories. It was a Christmas Day shift no one else wanted that gave Abe his first on-air experience which led to overnights, then Saturday afternoons, and started hosting Evening Jazz in 1998.