Dec 04 Thursday
Black Thunder is the dazzling, fully improvised, fully realized new album by Seattle-based musician, producer, and engineer Brittany Davis. Featuring the artist on keys and vocals, Evan Flory-Barnes on bass, and D’Vonne Lewis on drums, the Josh Evans-produced offering recalls artists like Nina Simone, Roberta Flack, and Rahsaan Roland Kirk in its immersive, incantatory spirit.
The trio — who barely knew each other previously — extemporized Black Thunder in a surge of interactive creativity across two days in the studio. The pressure-cooker environment did away with overthinking and brought each musician’s A-game. Steeped in Black and Afrocentric cultural influences, this is Davis’s most poignant and cathartic work to date.
“Brittany, Evan, and D’Vonne have, in some way, been preparing for this recording all their lives. Honing their instrumental craft and ability, of course — but more importantly, preparing their ears, emotions, and egos to be fully present and create absolutely in the moment,” Evans says. “To listen deeply and respond empathetically. To speak with uncomfortable honesty. To listen, and be vulnerable.”
Black Thunder marks a shift away from the drum machines and programmed keys of her previous album, 2024’s Image Issues. This is a fully live, organic performance, one that showcases her stylistic maturation and the breadth of her versatility.
Tumble out of bed and stumble to the theater for this delicious workplace revenge comedy from living legend Dolly Parton. Pushed to the boiling point by their sexist, egotistical, lying, hypocritical boss, three female co-workers concoct a plan to get even—a plan that spins wildly and hilariously out of control. Hey, a girl can scheme, can’t she?
Set in the Rolodex era, when shag rugs, pet rocks, and disco were the grooviest things around, this must-see, dance-filled musical is based on the hit 1980 film and features the blockbuster title song—plus a new score of 18 original numbers by Dolly Parton herself. Outrageous, big-hearted, and even a little romantic, 9 to 5: The Musical is about teaming up and getting credit, it’s about kicking butt and taking care of business, and it’s about to put a huge smile on your face.
Born in Miami, during World War II, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard,” Smither says, “showed me that if you knew three chords, you could play a lot of the songs you heard on the radio. And if you knew four chords, you could pretty much rule the world.” With that bit of knowledge under his belt, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ Blues In My Bottle album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style, to a degree, came out of trying to imitate that sound I heard.”
Dec 05 Friday
Slow Burn is a new high point in a remarkable career that now spans more than three decades and includes a long list of accolades; four GRAMMY nominations, three NAACP Image Award nominations, a Soul Train Award for Best Jazz Album and four RIAA Gold Record certifications. In 2009, Billboard named James one of the Top 3 Contemporary Jazz Artists of the decade. In 2024 year Boney became the first ever artist to score 20 number one singles on the Billboard Smooth Jazz chart.
But Boney James has never been one to look backwards and Slow Burn, which the artist produced, marks several firsts. Beginning with the album's opening track, 'Arcadia.' The very first notes on the album are the acoustic bass playing of the legendary Marcus Miller. It's one of the few times that Miller, known for his electric bass guitar work, has committed his standup bass playing to a recording and the first time that James has incorporated an upright bass into his own music.
Echoes of the Floating World features a striking collection of 18th, 19th and early 20th-century Japanese woodblock prints from the Tacoma Art Museum and others, displayed alongside works by contemporary Northwest artists. This exhibition honors the rich legacy of ukiyo-e while exploring its cultural impact on today’s artistic expressions.
Hours-
Monday CLOSEDTuesday CLOSEDWednesday 10 am – 5 pmThursday 10 am – 8 pmFriday 10 am – 5 pmSaturday 10 am – 5 pmSunday 10 am – 5 pm
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
The period from the 1870s to the 1900s, known as the Gilded Age, saw the rise of the railroad, textile industry, and production. It also saw a rise in migration to US cities, providing workers to fill low paying jobs producing many of the fashions of the era. This era marked a turning point in fashion as new technologies and changing cultural norms transformed the ways in which people dressed.
Explore this history and enjoy the rare chance to see clothing, notions, and artifacts of the period from the Washington State Historical Society collections.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
Bundle up and let BIMA light your way into the season! For two unforgettable nights, the plaza transforms into a sparkling winter wonderland filled with vendor booths, cozy vibes, and live music. Twinkle lights set the mood as you browse hand-crafted goods from talented Pacific Northwest makers—perfect for checking off your gift list with something truly one-of-a-kind.
Shop local: Discover a curated lineup of artisans and creatives offering everything from jewelry and textiles to ceramics and gourmet treats.
Play & create: Dive into all-ages DIY craft stations, snap a free photo-booth pic, or warm your hands at the fire-pit lounges.
Sip & savor: Enjoy seasonal drinks—both spirited and zero-proof—alongside delicious street food to keep you fueled while you explore.
Soak up the sounds: A live DJ keeps the energy high on the plaza, and each night features a special headlining concert inside the museum (artist announcements coming soon!).
Need a break? Head to the BIMA Classroom for cozy, free screenings of holiday film favorites.
It’s the perfect blend of light, sound, and community magic—don’t miss this joyful kickoff to the season!
Interested in becoming a vendor? Learn more here!
Have you ever watched a movie musical and found you really, really fantasized about being up on the screen with the cast? Well, here is your chance to almost do that! Friday Nights 6:30 - 9:30
A 30-minute dance move tutorial will be held prior to the start of each film.
FREE!!!
7/19: In The Heights
7/26: Kinky Boots
8/2: CHICAGO
8/9: DREAMGIRLS
8/16: West Side Story
8/23: HAMILTON
9/6: Sweet Charity
9/13: RENT
9/20: TBD
