Community Calendar

Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.

Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.

This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.

Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.

This Is Native Land is guided by three teachings:
We are of the land and waters
With knowledge comes responsibility
Sovereignty protects people, lands, and waters

These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.

Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.

Stories are shaped by the ways we tell them. In Shaping the Story: Designs for the Theatre by Carey Wong, go behind the scenes to see how theatre sets bring stories to life. During a career spanning over 50 years, Carey Wong has designed sets and costumes for more than 300 productions, including operas, plays, musicals, and ballets.

This exhibition features scale models of his designs in addition to costumes, set pieces, and stories of Washington’s rich entertainment history. From sketches of an idea to fully realized sets, explore how a designer’s decisions craft the world of a story.

LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.

Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.

His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.

Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”

Supported by KNKX. Award-winning, Hall of Fame Jazz Vocalist Greta Matassa has a new group these days and is featured in many of the areas best jazz clubs and concert venues. The new group features all new material and arrangements with a contemporary jazz bent. Although the songs may be new, there are classics such as George Shearing, Bill Evans, Chick Corea and Dave Brubeck. As well as jazz interpretations of Stevie Wonder, Sting, Bonnie Raitt, Herbie Hancock, Pat Metheny and Brazilian composers as well.

As always Greta’s concerts also feature tunes from her 11 recordings and many of the classic jazz standards as well.

In the Pacific Northwest, where she built her career, Greta Matassa wins wide acclaim; 8 times, the readers of Earshot, the Seattle jazz magazine, have voted her the best jazz vocalist in the Northwest, including 2021!

She was inducted into the Seattle Jazz Hall of Fame in 2014. Jim Wilke, the Seattle jazz maven and host of the syndicated “Jazz After Hours” radio program, praises her versatility. “She has a fearlessness in approaching material,” Wilke says, “that makes her like an instrumentalist in a jam session.”

Tumble out of bed and stumble to the theater for this delicious workplace revenge comedy from living legend Dolly Parton. Pushed to the boiling point by their sexist, egotistical, lying, hypocritical boss, three female co-workers concoct a plan to get even—a plan that spins wildly and hilariously out of control. Hey, a girl can scheme, can’t she?

Set in the Rolodex era, when shag rugs, pet rocks, and disco were the grooviest things around, this must-see, dance-filled musical is based on the hit 1980 film and features the blockbuster title song—plus a new score of 18 original numbers by Dolly Parton herself. Outrageous, big-hearted, and even a little romantic, 9 to 5: The Musical is about teaming up and getting credit, it’s about kicking butt and taking care of business, and it’s about to put a huge smile on your face.

Supported by KNKX. Award-winning, Hall of Fame Jazz Vocalist Greta Matassa has a new group these days and is featured in many of the areas best jazz clubs and concert venues. The new group features all new material and arrangements with a contemporary jazz bent. Although the songs may be new, there are classics such as George Shearing, Bill Evans, Chick Corea and Dave Brubeck. As well as jazz interpretations of Stevie Wonder, Sting, Bonnie Raitt, Herbie Hancock, Pat Metheny and Brazilian composers as well.

As always Greta’s concerts also feature tunes from her 11 recordings and many of the classic jazz standards as well.

In the Pacific Northwest, where she built her career, Greta Matassa wins wide acclaim; 8 times, the readers of Earshot, the Seattle jazz magazine, have voted her the best jazz vocalist in the Northwest, including 2021!

Her 40 year career has been a whirlwind of exciting opportunities and experiences. Over the last 20 years she has become established as one of the greatest jazz singers of her time. Working with top jazz musicians in Los Angeles, Chicago and New York. In 2016 She was featured with bassist John Clayton’s group in a centennial tribute to Ella Fitzgerald.

Supported by KNKX. GRAMMY-winning trumpeter Chris Botti has been one of the most popular instrumentalists in the world for nearly three decades; he’s collaborated with some of the biggest superstars on the planet, including Sting, Paul Simon, Barbra Streisand, Lady Gaga, Tony Bennett, Frank Sinatra, Aretha Franklin, Bette Midler, Joni Mitchell, Steven Tyler, Andrea Bocelli, Herbie Hancock, Yo-Yo Ma, and others; he’s topped the jazz charts with numerous albums, earned multiple Gold and Platinum records, performed with symphony orchestras and on prestigious stages from Carnegie Hall to the Hollywood Bowl to the Sydney Opera House.

In short, Chris Botti really needs no introduction. Yet with his Blue Note Records debut, he’s offering one anyway. Vol.1 is in many ways a fresh start for the trumpeter. Having successfully crossed over from jazz renown to pop stardom, Botti’s first album in more than a decade finds him crossing back, with a small group project focused on acoustic jazz and classic standards.

We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park.
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