Nov 02 Sunday
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
Stories are shaped by the ways we tell them. In Shaping the Story: Designs for the Theatre by Carey Wong, go behind the scenes to see how theatre sets bring stories to life. During a career spanning over 50 years, Carey Wong has designed sets and costumes for more than 300 productions, including operas, plays, musicals, and ballets.
This exhibition features scale models of his designs in addition to costumes, set pieces, and stories of Washington’s rich entertainment history. From sketches of an idea to fully realized sets, explore how a designer’s decisions craft the world of a story.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
Celebrate Day of the Dead and honor departed loved ones at Día de Muertos Festival Seattle on Saturday, November 1 and Sunday, November 2 at the Seattle Center Armory Food & Event Hall. The free, family-friendly event offers an opportunity for the community to come together to remember the deceased, to celebrate life, and to share the legacy of ancestors.
Rooted in ancient Mesoamerican civilizations from Aztecs to Toltec, Día de Muertos is a time of reflection and joy, blending remembrance with celebration. The Armory will be transformed into a colorful space filled with art, music, dance, and food that connects past and present.
Explore the elaborate Tapete (sand painting) installation with intricate, hand-crafted designs. Enjoy traditional Mexican music and dance performed by local talent. Savor authentic Mexican food showcasing the rich culinary traditions of Día de Muertos. And participate in hands-on activities, including sugar skull workshops, face painting, printmaking, creating masks and paper flowers.
There will also be the annual community ofrenda (altar) where photographs and mementos in honor of loved ones can be placed. (Armory Balcony)
Día de Muertos Festival Seattle is part of Seattle Center Festál, a year-round series of 25 free cultural festivals. Learn more about Festál (seattlecenter.com/festal).
The festival honors the artistic edge and the rich history of the art form, celebrates Seattle’s jazz scene with performances, premieres, and special projects by esteemed resident artists alongside international masters.
This year’s lineup includes Christian McBride and Brad Mehldau, Brandee Younger, Arooj Aftab, Makaya McCraven,Ghost-Note, and many more.
🎷 Jazz Jam at Butter Notes Café 🎷📍 Butter Notes Café – Everett, WA🗓️ Every 1st & 3rd Sunday @ 2 PM
☕ Come sip, snack, and swing!
Join us for an afternoon of live jazz and spontaneous creativity at Butter Notes Café! Whether you’re here to play or just enjoy the vibes, you’re welcome.
🧇 Fresh croffles and warm coffee served all afternoon🎶 Open to all instruments, all levels💛 Donations encouraged to support local musicians and future sessions
Bring your instrument, your friends, or just your love for music!
SOGO’s season opener promises an exciting mix of talent, tradition, and a few surprises. Featured guest and SOGO alumnus Henry Nordhorn returns to the stage with the Conservatory Orchestra and Brass Choir, performing works by Gershwin and Mozart on French horn. A graduate of the San Francisco Conservatory and now a member of the Spokane Symphony, Henry brings his artistry full circle. Audiences will also enjoy Mussorgsky’s Night on Bald Mountain, Bizet’s Carmen Suite No. 1, and Danzas Cubanas, a vibrant new piece by American composer Robert Sheldon. The Philharmonic and Academy orchestras round out the program with a dynamic mix of classic and contemporary selections. And to kick off the evening—you might just find yourself part of the performance!
Stage of Fools Written by Joy McCullough Directed by Amy Poisson
A scrappy feminist theater company is about to go under when they receive an offer they can't refuse: has-been 80s action movie star Jake Stone will endow them with more money than they've ever dreamed of, if they'll produce King Lear, with him in the titular role. Never mind that he's an entitled, egotistical blowhard. These women can survive anything for the sake of the theater they love...right?
Evening and matinee performances.
It’s almost like being in love! Dance your way back in time to one of the most romantic musicals ever written, Lerner and Loewe’s Brigadoon. Americans Tommy and Jeff are hiking the Scottish Highlands, when out of the mists they stumble upon the enchanting village of Brigadoon, which appears for only one day every 100 years. But this dreamlike place is far more than it seems—and those who fall in love there might never be the same.
From the writers of My Fair Lady and Camelot comes this soaring love story, full of glorious ballet and favorite tunes like “Come to Me, Bend to Me,” “The Heather on the Hill” and “Almost Like Being in Love.” This production features an exquisite new adaptation, which enhances all the romance and magic that makes Brigadoon a truly timeless masterpiece.
Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.
His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.
Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
