Nov 13 Thursday
The Nosebleed is an autobiographical play by Doris Duke Award–winning playwright and director Aya Ogawa that explores their fractured relationship with their long-deceased and enigmatic father. Through a series of turbulent, absurd, and poignantly comic vignettes, the play examines the seemingly insurmountable cultural and generational gap between Aya and their father—and the questions they now face in their own parenthood.
Brittany Davis and the Halls Of Justice are a genre-blurring powerhouse, fusing pop, soul, funk, and rock into a musical theater that is bold and unforgettable. Fronted by the magnetic and creative force, Brittany Davis on keys and vocals, she brings her story to the stage with groove, humor, grit and heart. Backed by The Halls Of Justice, her high-energy band known for their electrifying live performances and incredible sound.
Gossard tells SPIN Magazine: “Their capabilities as a musician, improviser, storyteller, producer, and straight-up keyboard hero are as profound as any that I’ve ever experienced. It is beyond an honor to be connected to their blossoming career.”
This event is presented by Black & Tan Hall and CloudBreak.
Join us starting at 7pm. Full menu, featuring food by Chef Tay, and bar available until 11pm. View our menu at blackandtanhall.com/menu.
Nov 14 Friday
Supported by KNKX. Touring in support of their new release, Cook, Lettuce isn’t just giving a nod to musical heat; it’s an invitation to join the band at the table, where funk, soul, jazz, rock, and hip-hop come together in one rich, flavorful dish.
Released on their own Lettuce Records label, the band’s next studio album offers a menu of delights that marks a band exploring new sonic territory. For these six life-long partners, the new songs feel like a nourishing meal that entices all of your senses.
Like 2019’s Elevate, 2020’s Resonate and 2022’s Unify, before it, Cook was recorded at Colorado Sound just outside East Coast transplants Deitch, Smirnoff, and Bloom’s adopted home of Denver, where they gathered in one room to work on the new material. Ryan Zoidis did a masterful job mixing the final results with longtime Grammy-nominated engineer Jesse O’Brien.
Coming off tours with both rap icon GZA of Wu-Tang Clan and reggae legend Ziggy Marley while earlier this year releasing the live album and concert film Lettuce with the Colorado Symphony capturing over 90 minutes of collaborative symphonic arrangements with the Colorado Symphony, Lettuce has expanded its ever-widening musical palette again with the new release.
A group of visual artists have come together to express their concern over the current state of the nation/world due to today’s political situation. The show title “Degenerate” Art harkens back to the label used by the Nazis in the 1930s to attack modern art and the artists who did not adhere to the permitted view of racial purity, militarism, and obedience.
Pieces by six established Vashon Island artists will be presented: Gregory Burnham, Bill Cleaver, Bill Jarcho, Alice Larson, Marc Pease, and Lenard Yen.
“Every day this becomes a more important show as we see the arts attacked and erosion of our freedom of speech,” said Alice Larson. “What is happening parallels fascism in Germany under Hitler. Anything not toeing the line of the administration in power is deleted, banned, and those related to it punished.”Bill Cleaver summarized why the exhibit is particularly relevant to the group. “We are artists, so this is how we express our concerns. We hope this show will inspire others to find their own way to declare their distress.”
The “Degenerate” Art Show will be on display at Snapdragon Café, 17817 Vashon Hwy SW, Vashon Island, WA during November 2025, with an opening celebration on First Friday November 7, 6 – 9 p.m.
Echoes of the Floating World features a striking collection of 18th, 19th and early 20th-century Japanese woodblock prints from the Tacoma Art Museum and others, displayed alongside works by contemporary Northwest artists. This exhibition honors the rich legacy of ukiyo-e while exploring its cultural impact on today’s artistic expressions.
Hours-
Monday CLOSEDTuesday CLOSEDWednesday 10 am – 5 pmThursday 10 am – 8 pmFriday 10 am – 5 pmSaturday 10 am – 5 pmSunday 10 am – 5 pm
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
The period from the 1870s to the 1900s, known as the Gilded Age, saw the rise of the railroad, textile industry, and production. It also saw a rise in migration to US cities, providing workers to fill low paying jobs producing many of the fashions of the era. This era marked a turning point in fashion as new technologies and changing cultural norms transformed the ways in which people dressed.
Explore this history and enjoy the rare chance to see clothing, notions, and artifacts of the period from the Washington State Historical Society collections.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
Stories are shaped by the ways we tell them. In Shaping the Story: Designs for the Theatre by Carey Wong, go behind the scenes to see how theatre sets bring stories to life. During a career spanning over 50 years, Carey Wong has designed sets and costumes for more than 300 productions, including operas, plays, musicals, and ballets.
This exhibition features scale models of his designs in addition to costumes, set pieces, and stories of Washington’s rich entertainment history. From sketches of an idea to fully realized sets, explore how a designer’s decisions craft the world of a story.
