Nov 18 Tuesday
This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.
Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.
This Is Native Land is guided by three teachings:We are of the land and watersWith knowledge comes responsibilitySovereignty protects people, lands, and waters
These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.
Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.
Stories are shaped by the ways we tell them. In Shaping the Story: Designs for the Theatre by Carey Wong, go behind the scenes to see how theatre sets bring stories to life. During a career spanning over 50 years, Carey Wong has designed sets and costumes for more than 300 productions, including operas, plays, musicals, and ballets.
This exhibition features scale models of his designs in addition to costumes, set pieces, and stories of Washington’s rich entertainment history. From sketches of an idea to fully realized sets, explore how a designer’s decisions craft the world of a story.
LeMay – America’s Car Museum proudly presents The Birth of the American Supercar, a groundbreaking exhibition guest curated by renowned automotive innovator Steve Saleen. This one-of-a-kind display invites guests on an exhilarating journey through the evolution of American supercars. From early speed pioneers to cutting-edge modern marvels, visitors will experience a stunning lineup of vehicles that have redefined engineering, speed, and style, built by a wide range of American automotive manufacturers like Ford, Chevy, Dodge, Saleen himself, and even some more obscure ones like Vector, Cunningham, and Hennessey. From roaring V8s to sleek carbon-fiber bodies, discover how American automakers pushed boundaries, challenged European rivals, and redefined what a supercar could be. This exhibition offers a rare opportunity to see some of the most thrilling and historically significant American-made performance vehicles ever built—all under one roof.
Fall Dodgeball LeagueTuesdays, September 23 – December 16, 2025 | People’s Center$325 per team or $55 per person
Tacoma Dodgeball League is a 7″ Foam co-ed adult recreational league at People’s Community Center. Teams will play at least two (20) minute games each week. Games are 6v6 with a minimum (2) women per team. Although competitive, the league is meant to be fun and social.
- Adults from all different athletic backgrounds are welcome.- Each game will be officiated by members of other teams.- Players are required to play with high integrity and self-officiate.- Both team and individual registration available.
At BRI, our vision of a healthy immune system for everyone drives us forward. From studying genes to understand why some people are more at risk for diseases of the immune system, to exploring therapies that delay the onset of disease, our research fuels groundbreaking discoveries that impact the real people living with these conditions. We take what we learn in the lab and integrate it into clinical care. Just as importantly, we take the challenging questions and lived experiences from patients and clinicians and bring them back into the lab. This cycle — where research shapes care, and care inspires new research – moves forward our mission of advancing the science to predict, prevent, reverse and cure diseases of the immune system.
Captains Carlos Barajas and David Taylor Gomes invite you on a whimsical journey of musical comedy sketches, lyrical world-building, and bold musicians who dare to make the world their own—and they’ve saved you a seat. This voyage features local performing artists as they create their own fantastical Dream Show.
Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.
His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.
Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
GoGo Penguin, the Manchester trio who inspirationally blend jazz, classical and electronic influences, return with a powerful new album, Necessary Fictions, which finds pianist, Chris Illingworth; bassist, Nick Blacka; and drummer, Jon Scott digging deep internally to reach “what we think are our integral, authentic qualities at this moment in time”. It’s a powerful driver for some of their boldest music to date, incorporating modular synths, Moog Grandmother, and electric bass into their sound more than ever before as they glide spectacularly from acoustic instrumentation into electronica with drums to the fore. Honest and powerful, Necessary Fictions is the band at their very best.
Though Robert Plant is, literally and figuratively, the biggest name on the cover art for Saving Grace, he would be the first to say that the album is very much a group effort, with its title also serving as this new band’s moniker. The group members were drawn together by a shared love of roots music both vintage and modern—of blues, folk, gospel, country and those tantalizing sounds that lay in between. Like Plant, they’re keen to explore how these genres are evolving as well as to discover where these repertoires originated—and how collectively they could reinvigorate the music they loved.
This sensibility is reflected in the songs that made it to the final track listing, from familiar traditional numbers like the plaintive “I Never Will Marry;” the African-American spiritual “Gospel Plough;” and “Chevrolet,” which Donovan had adapted into his “Hey Gyp (Dig the Slowness)” back in 1965 to beautifully rendered outliers like Providence, RI trio The Low Anthem’s haunting “The Ticket Taker;” revered indie-rock duo Low’s epic “Everybody’s Song;” and Moby Grape’s pastoral “It’s A Beautiful Day Today.” Plant, who produced the album with the band, rarely claims center stage, most often sharing vocals with co-billed singer Suzi Dian and sometimes ceding the mic to her entirely. On Blind Willie Johnson’s “The Soul of a Man,” guitarist-banjo player Matt Worley takes the lead, with Dian and Plant serving as backup.
Tumble out of bed and stumble to the theater for this delicious workplace revenge comedy from living legend Dolly Parton. Pushed to the boiling point by their sexist, egotistical, lying, hypocritical boss, three female co-workers concoct a plan to get even—a plan that spins wildly and hilariously out of control. Hey, a girl can scheme, can’t she?
Set in the Rolodex era, when shag rugs, pet rocks, and disco were the grooviest things around, this must-see, dance-filled musical is based on the hit 1980 film and features the blockbuster title song—plus a new score of 18 original numbers by Dolly Parton herself. Outrageous, big-hearted, and even a little romantic, 9 to 5: The Musical is about teaming up and getting credit, it’s about kicking butt and taking care of business, and it’s about to put a huge smile on your face.