Oct 11 Saturday
Multi Grammy-Award nominee Nnenna Freelon is known worldwide as a compelling and captivating live performer. Recently, Nnenna starred in the critically acclaimed show Georgia on My Mind: Celebrating the Music of Ray Charles - no stranger to the music of the master singer - she toured with Ray Charles, as well as many other great jazz artists including Ellis Marsalis, Al Jarreau, George Benson, Earl Klugh, Take 6, and others.Accolades and awards have abounded - performances at The White House, headlining the Asia Pacific Economic Summit for three hundred Presidents, Premiers and Heads of State, receiving the YWCA of North Carolina’s inaugural “Legend Award” for her outstanding artistry and her dedication to education, and so much more.
Educating young people, both musicians and non-musicians, and students of all ages has propelled her advocacy - Nnenna toured the United States as the National Spokesperson for Partners in Education. Her master classes and workshops, from “Sound Sculpture” to the ground-breaking “Babysong,” instruct adults and children that you too can change the world – even one person at a time - with her anthem “One Child at a Time” found on her “Soulcall” recording. From Partners in Education to the United Way, Freelon has been a tireless advocate and fundraiser for education and arts causes.
$35 General | $33 SeniorYouth FREE *ticket reservation required(adult must accompany youth 12-)
Celebrate the vibrant music, dance, and traditions of the Balkans in a high-spirited evening of culture and community. Featuring performances by Koleda Ritual Dancers, Radost Folk Ensemble, Seattle Cheta, Tamburaški Orkestar Kišobran, Dunava, Vela Luka Croatian Dance Ensemble, and more, the night bursts with rhythm, color, and joy. This event coincides with Balkan Voices, a gallery exhibit by Martin Koenig—arrive early to explore the art before the music begins. A feast for the senses and a night of pure celebration!
Black Joe Lewis is the realest motherfucker there is. When Covid sidelined his touring, he started laying concrete to help support his baby mama and his kid. That’s fuckin’ real. When Joe and his band, the Honeybears, popped onto the national stage over a decade ago, many critics embraced him but still, there were some that maintained that they hadn’t paid their dues. Joe’s still here. Still going. Still cashing checks and snapping necks. The dues of hard work; the delirious heights of the industry as well as the disappointments and low hanging fruit. Through this all, Joe’s only honed his mastery over gut bucket blues guitar and his true voice. It’s a vital and distinctly American voice that never anticipated the attention he wound up receiving, never went looking for it either. It just started happening. The garage, the blues, the propulsive and synergistic live performances that inhabit the spaces of James Brown, Lightnin’ Hopkins, and the MC5…those things happened naturally from the very beginning and could only be accurately communicated in the live experience, not a press release or a slick brand campaign. Sharon Jones, Charles Bradley, Cedric Burnside and Lightnin Malcolm, The Dirtbombs, Detroit Cobras, the Strange Boys; these are some of the artists that Black Joe Lewis and the Honeybears shared countless bills with; almost a roll call of the most influential soul and garage bands of the last twenty five years. Has the soul blues garage explosion from that era been commodified or worked into the overall template of pop rock? Sure. But the ground floor was a vital space for people that like guitars and grease and at this point Black Joe Lewis is one of the last standing that was there.
Join White Cane Awareness Network and the Washington Talking Book and Braille Library for our annual community White Cane Day Walk!
Have questions about blindness? Not sure what a white cane really does? Come join us to learn more!
Event Address:Starting: South Base of the Space Needle near the Howard S. Wright Memorial Fountain: 400 Broad St, Seattle, WA 98109Ending: Washington Talking Book and Braille Library (WTBBL): 2021 9th Ave, Seattle, WA 98121
9:00 am - 9:50 Arrive at starting place9:50 - Official Group Photo 10:00: The Walk begins! 10:45 : Speakers at WTBBL1:00pm Event ends
White Cane Safety Day is a national observance in the United States, celebrated on October 15 of each year since 1964. The date is set aside to celebrate the achievements of people who are blind or visually impaired and the important symbol of blindness and tool of independence, the white cane.
Oct 12 Sunday
April, 2025, marks the 32 year anniversary of Big Bad Voodoo Daddy's remarkable arrival onto the music scene. Since its formation in the early nineties in Ventura, California, the band has toured virtually nonstop, performing on average over 150 shows a year, and has produced a sizable catalog of recorded music, with sales of over 2 million albums to date. Early on, during their legendary residency at the Derby nightclub in Los Angeles, they reminded the world, in the midst of the grunge era no less, that it was still cool to swing. The band, co-founded by singer Scotty Morris and drummer Kurt Sodergren, was at the forefront of the swing revival of that time, blending a vibrant fusion of the classic American sounds of jazz, swing, and Dixieland, with the energy and spirit of contemporary culture.
Big Bad Voodoo Daddy’s all original core line-up includes Scotty Morris (lead vocals and guitar), Kurt Sodergren (drums), Dirk Shumaker (double bass and vocals), Andy Rowley (baritone saxophone and vocals), Glen "The Kid" Marhevka (trumpet), Karl Hunter (saxophones and clarinet) and Joshua Levy (piano and arranger).
Big Bad Voodoo Daddy’s efforts to promote and revitalize swing music have taken shape as much more than a simple tribute. Taking inspiration from the creators of this uniquely American art form, the band’s original horn-infused music and legendary high energy show introduces the genre to a new and younger generation while remaining cognizant and respectful of the music’s rich legacy.
Principal® Foundation, a global nonprofit organization committed to helping people and communities build financially secure futures, is now accepting submissions for its third annual Money Chronicles: A Story Initiative, a national short story contest designed to help destigmatize money conversations and encourage financial confidence through storytelling. Seattle residents can visit Principal Foundation's Short Story Dispenser at Elliott Bay Book Co. to print last year’s winning stories for free—a great way to get inspired before submitting their own.
Visit the story dispenser at Elliott Bay Book Co. today to print a story, get inspired, and share your own lived experience with money so Seattle voices can help lead the way in a national initiative to break down barriers around money conversations.
Submissions are open until October 12, 2025, at 11:59 pm PDT. One winner will receive $1,000, and up to 20 finalists will each receive $150. Selected stories (fiction or creative nonfiction) will appear nationwide through Principal Foundation’s Short Story Dispensers, including in Seattle, beginning January 2026.
Echoes of the Floating World features a striking collection of 18th, 19th and early 20th-century Japanese woodblock prints from the Tacoma Art Museum and others, displayed alongside works by contemporary Northwest artists. This exhibition honors the rich legacy of ukiyo-e while exploring its cultural impact on today’s artistic expressions.
Hours-
Monday CLOSEDTuesday CLOSEDWednesday 10 am – 5 pmThursday 10 am – 8 pmFriday 10 am – 5 pmSaturday 10 am – 5 pmSunday 10 am – 5 pm
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
The period from the 1870s to the 1900s, known as the Gilded Age, saw the rise of the railroad, textile industry, and production. It also saw a rise in migration to US cities, providing workers to fill low paying jobs producing many of the fashions of the era. This era marked a turning point in fashion as new technologies and changing cultural norms transformed the ways in which people dressed.
Explore this history and enjoy the rare chance to see clothing, notions, and artifacts of the period from the Washington State Historical Society collections.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
