Dec 04 Thursday
For five unforgettable seasons, Harlequin’s A Christmas Carol has captured the hearts of audiences across the South Sound. Now, in our 5th anniversary production, we invite you to rediscover Dickens’ timeless tale of hope, redemption, and the true spirit of the season. Whether it’s your first visit or a return to a beloved tradition, this year promises to be the most memorable yet—with a reworked script, new characters, an updated set, new special effects, and all the warmth, music, and holiday magic you’ve come to cherish. Traditions evolve, and who knows what the future holds? Don’t miss this milestone year of A Christmas Carol at Harlequin.
Scrooge has no honor, nor any courage. Can three ghosts help him to become the true warrior he ought to be in time to save Tiny Tim from a horrible fate? Performed in the original Klingon with English supertitles, and narrative analysis from The Vulcan Institute of Cultural Anthropology.
Black Thunder is the dazzling, fully improvised, fully realized new album by Seattle-based musician, producer, and engineer Brittany Davis. Featuring the artist on keys and vocals, Evan Flory-Barnes on bass, and D’Vonne Lewis on drums, the Josh Evans-produced offering recalls artists like Nina Simone, Roberta Flack, and Rahsaan Roland Kirk in its immersive, incantatory spirit.
The trio — who barely knew each other previously — extemporized Black Thunder in a surge of interactive creativity across two days in the studio. The pressure-cooker environment did away with overthinking and brought each musician’s A-game. Steeped in Black and Afrocentric cultural influences, this is Davis’s most poignant and cathartic work to date.
Born in Miami, during World War II, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard,” Smither says, “showed me that if you knew three chords, you could play a lot of the songs you heard on the radio. And if you knew four chords, you could pretty much rule the world.” With that bit of knowledge under his belt, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ Blues In My Bottle album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style, to a degree, came out of trying to imitate that sound I heard.”
Dec 05 Friday
Slow Burn is a new high point in a remarkable career that now spans more than three decades and includes a long list of accolades; four GRAMMY nominations, three NAACP Image Award nominations, a Soul Train Award for Best Jazz Album and four RIAA Gold Record certifications. In 2009, Billboard named James one of the Top 3 Contemporary Jazz Artists of the decade. In 2024 year Boney became the first ever artist to score 20 number one singles on the Billboard Smooth Jazz chart.
But Boney James has never been one to look backwards and Slow Burn, which the artist produced, marks several firsts. Beginning with the album's opening track, 'Arcadia.' The very first notes on the album are the acoustic bass playing of the legendary Marcus Miller. It's one of the few times that Miller, known for his electric bass guitar work, has committed his standup bass playing to a recording and the first time that James has incorporated an upright bass into his own music.
Echoes of the Floating World features a striking collection of 18th, 19th and early 20th-century Japanese woodblock prints from the Tacoma Art Museum and others, displayed alongside works by contemporary Northwest artists. This exhibition honors the rich legacy of ukiyo-e while exploring its cultural impact on today’s artistic expressions.
Hours-
Monday CLOSEDTuesday CLOSEDWednesday 10 am – 5 pmThursday 10 am – 8 pmFriday 10 am – 5 pmSaturday 10 am – 5 pmSunday 10 am – 5 pm
We are protesting project 2025. TacomaRama marching band will join us for the next 4 years. We will meet each month on the Saturday closest to the 18th each month. Always 10am, always Reconciliation park. Feel loved and supported.
The period from the 1870s to the 1900s, known as the Gilded Age, saw the rise of the railroad, textile industry, and production. It also saw a rise in migration to US cities, providing workers to fill low paying jobs producing many of the fashions of the era. This era marked a turning point in fashion as new technologies and changing cultural norms transformed the ways in which people dressed.
Explore this history and enjoy the rare chance to see clothing, notions, and artifacts of the period from the Washington State Historical Society collections.
Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.
Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.
Stories are shaped by the ways we tell them. In Shaping the Story: Designs for the Theatre by Carey Wong, go behind the scenes to see how theatre sets bring stories to life. During a career spanning over 50 years, Carey Wong has designed sets and costumes for more than 300 productions, including operas, plays, musicals, and ballets.
This exhibition features scale models of his designs in addition to costumes, set pieces, and stories of Washington’s rich entertainment history. From sketches of an idea to fully realized sets, explore how a designer’s decisions craft the world of a story.
