Community Calendar

Dear friends We are so excited to announce the date for this years ride! Please stay tuned for more details. In the meantime be you get vaccinated and ride safe! ABOUT THE WNBR Celebrating bicycle power and the beauty of people World Naked Bike Ride (WNBR) is an international clothing-optional people powered event that highlights the vulnerability of cyclists everywhere decries society’s dependence on pollution-based transport and promotes positive body image. It’s also just a lot of fun! The event is bare-as-you-dare; anything from body paint to underwear to fanciful costumes are encouraged. Due to legal restrictions full frontal nudity is at your own risk but many participants do go all out. Large-scale body painting is typically available pre-ride and personal expression is encouraged. past events drew over 2000 riders and covered over ten miles of high visibility city areas. Blessed by decent summer weather in a great cycling city the event has grown into a fantastic rolling celebration complete with a massive afterparty. Participants often describe it as a transcendent group experience personally transforming and beyond superlative.

CYCLISTS & SKATERS: Check-in Saturday 3–3:45pm

RIDE LEAVES BY 4PM so DON’T BE LATE!

Rain or shine so BE PREPARED for ANYTHING.

Ends where we start. No promises after but we’ll have time to hydrate decompress and connect with friends.

PLAN TO ARRIVE EARLY!

We recommend you bring your Helmet Lights Water Snacks Shoes and Clothes.

SAFETY IN NUMBERS!

Ride as a MASS keeping together by staying behind the leader and with the group. Stay to the center to avoid bystanders. Consider hopping off your bike to stay in control.

Work with Bike Marshalls (in yellow vests!) for everyone’s safety. Communicate what you need to those around you and support those who call out for help!

– DON’T get wasted.

– DON’T lag behind or split off.

– DON’T enter lanes of on-coming traffic.

– DON’T swarm cars or antagonize the public and cops.

Be prepared stay alert take care help others.

LEAVE NO TRACE!!! PICK IT UP and PACK IT OUT!!!

HAVE THE TIME OF YOUR LIFE !!!

worldnakedbikeride.news/steve-franks-847-452-7544

Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.

His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.

Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”

Welcome to the rock! This exuberant, Tony Award–winning musical has captivated audiences around the world with its astonishing true story of kindness in the face of crisis.

On September 11, 2001, nearly 7,000 airline passengers were unexpectedly diverted to the tiny town of Gander, Newfoundland. Overnight, strangers from across the globe found themselves stranded far from home—but the people of Gander answered uncertainty with compassion and generosity, opening their hearts, their homes, and even (and unforgettably!) their bar. As cultures collided and nerves frayed, this unlikely international sleepover transformed into a powerful celebration of connection and resilience. 

Brimming with humor, heart, and a soaring Celtic-inflected score, Come From Away captures five unforgettable days when a small town showed the world what generosity means. It’s an uplifting celebration of compassion, resilience, and our ability to come together when it matters most—a story guaranteed to restore your faith in humanity.

This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.

Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.

This Is Native Land is guided by three teachings:
We are of the land and waters
With knowledge comes responsibility
Sovereignty protects people, lands, and waters

These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.

Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.

Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.

Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.

Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.

His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.

Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”

Welcome to the rock! This exuberant, Tony Award–winning musical has captivated audiences around the world with its astonishing true story of kindness in the face of crisis.

On September 11, 2001, nearly 7,000 airline passengers were unexpectedly diverted to the tiny town of Gander, Newfoundland. Overnight, strangers from across the globe found themselves stranded far from home—but the people of Gander answered uncertainty with compassion and generosity, opening their hearts, their homes, and even (and unforgettably!) their bar. As cultures collided and nerves frayed, this unlikely international sleepover transformed into a powerful celebration of connection and resilience. 

Brimming with humor, heart, and a soaring Celtic-inflected score, Come From Away captures five unforgettable days when a small town showed the world what generosity means. It’s an uplifting celebration of compassion, resilience, and our ability to come together when it matters most—a story guaranteed to restore your faith in humanity.

This is a permanent exhibition. Since time immemorial, Tribal nations have existed in this place we call Washington. This Is Native Land invites visitors to understand Washington State through the lived experiences and voices of its Native people.

Tribal nations are sovereign nations. Today, Native history, culture, and community thrive in our state. Through everyday acts of sovereignty – big and small – Indigenous peoples demonstrate they are still here, they have persevered, and they will always be here.

This Is Native Land is guided by three teachings:
We are of the land and waters
With knowledge comes responsibility
Sovereignty protects people, lands, and waters

These teachings are shared through multimedia, artwork, and interactive objects designed for guest engagement. They represent a contemporary continuation of Tribal stories and traditions.

Over 100 Native contributors from more than 60 Tribes shaped the exhibition’s stories and content. We thank the Native Advisory Committee and all community participants for their contributions.

Never Turn Back: Echoes of African American Music unveils the profound legacy of Gospel, Blues, Jazz, and Soul artists who shaped the soundscape of American culture and used their music as instruments of resistance, identity, and representation.

Gospel, Blues, Jazz, and Soul embody the profound influence of African American music on culture and history. From the spiritual foundations and transformative movements of Gospel hymns to the revolutionary improvisations of Jazz, the Blues’ Southern roots rising from the Mississippi Delta, and Soul’s powerful amplification of the Civil Rights and Black Power Movements, these genres have defined the unique sound and undying spirit of a nation that continues to echo through contemporary Black music today.

Welcomed by KNKX. Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, John Lewis, Tommy Emmanuel, Lionel Hampton, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitarists List:” for the Wall Street Journal.

His dynamic genre-spanning music has brought him to 21 countries on three continents – and still growing – performing in some of the world’s most illustrious venues, including the Sydney Opera House, Carnegie Hall, The Palace of Fine Arts in San Francisco, New York’s Lincoln Center, The Blue Note, and the world’s oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.

Pasquale Grasso - It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult. “Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”