Black Thunder is the dazzling, fully improvised, fully realized new album by Seattle-based musician, producer, and engineer Brittany Davis. Featuring the artist on keys and vocals, Evan Flory-Barnes on bass, and D’Vonne Lewis on drums, the Josh Evans-produced offering recalls artists like Nina Simone, Roberta Flack, and Rahsaan Roland Kirk in its immersive, incantatory spirit.

The trio — who barely knew each other previously — extemporized Black Thunder in a surge of interactive creativity across two days in the studio. The pressure-cooker environment did away with overthinking and brought each musician’s A-game. Steeped in Black and Afrocentric cultural influences, this is Davis’s most poignant and cathartic work to date.

“Brittany, Evan, and D’Vonne have, in some way, been preparing for this recording all their lives. Honing their instrumental craft and ability, of course — but more importantly, preparing their ears, emotions, and egos to be fully present and create absolutely in the moment,” Evans says. “To listen deeply and respond empathetically. To speak with uncomfortable honesty. To listen, and be vulnerable.”

Black Thunder marks a shift away from the drum machines and programmed keys of her previous album, 2024’s Image Issues. This is a fully live, organic performance, one that showcases her stylistic maturation and the breadth of her versatility.