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Jazz Northwest: Duke Ellington's Sacred Music concert in Seattle, Part 1

The 30th annual presentation of the Sacred Music of Duke Ellington took place Dec. 28 at St. Mark's Episcopal Cathedral in Seattle, featuring vocal soloists Stephen Newby and Nichol Veneé Eskrdge, the Northwest Chamber Chorus and the Seattle Repertory Jazz Orchestra conducted by Michael Brockman. Part 1, recorded for radio, aired Sunday on Jazz Northwest. Part 2 airs Feb. 3. 

Ellington's rich score filled every corner of the great cathedral.

Duke Ellington composed music for three Sacred Music concerts late in his life, premiering in 1965, 1967 and 1973. The music was performed in great cathedrals in San Francisco, New York, London and elsewhere. New music was mixed with a few Ellington classics in appropriate new arrangements to make up the suites. This Seattle performance draws from all three suites.  

The Sacred Music of Duke Ellington is presented annually in Seattle by Earshot Jazz, John Gilbreath, executive director. Clarence Acox and Michael Brockman are co-directors of The Seattle Repertory Jazz Orchestra, and Mark Kloepper is conductor the Seattle Chamber Chorus. Thanks to the staff and volunteers of Earshot and St.Mark's Cathedral for helping to make this music available to Seattle audiences. 

Jazz Northwest is recorded and produced by host Jim Wilke for 88.5 KNKX and airs each Sunday at 2 p.m. Pacific and streams simultaneously to an international audience at knkx.org. After broadcast, programs may be streamed at jazznw.org, or listeners may subscribe to the podcast to receive a new program each week. Next week's show will feature a concert by saxophonist and composer Kate Olson from The Seattle Art Museum.  

More information: EarShot JazzSeattle Repertory Jazz OrchestraSt. Marks

Jim has been a fixture on Seattle radio since 1961. He was the host of Jazz After Hours on Public Radio International from 1984-2014. Currently Jim has been producing Jazz Northwest for KNKX since 1988. This weekly program focuses on the regional jazz scene and frequently includes performances Jim records on location for Jazz Northwest.